harmony and counterpoint in the extended common practice /
نام نخستين پديدآور
Dmitri Tymoczko
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
New York :
نام ناشر، پخش کننده و غيره
Oxford University Press,
تاریخ نشرو بخش و غیره
2011
مشخصات ظاهری
نام خاص و کميت اثر
xviii, 450 pages :
ساير جزييات
illustrations, music,
ابعاد
26 cm
فروست
عنوان فروست
Oxford studies in music theory
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages [435]-444) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Part I. Theory. Five components of tonality ; Harmony and voice leading ; A geometry of chords ; Scales ; Macroharmony and centricity -- Part II. History and analysis. The extended common practice ; Functional harmony ; Chromaticism ; Scales in twentieth-century music ; Jazz
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
From the publisher. How is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords? In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. In the process he sheds new light on an age-old question: what makes music sound good? A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to music theory. The book shows how to construct simple diagrams representing relationships among familiar chords and scales, giving readers the tools to translate between the musical and visual realms and revealing surprising degrees of structure in otherwise hard-to-understand pieces. Tymoczko uses this theoretical foundation to retell the history of Western music from the eleventh century to the present day. Arguing that traditional histories focus too narrowly on the "common practice" period from 1680-1850, he proposes instead that Western music comprises an extended common practice stretching from the late middle ages to the present. He discusses a host of familiar pieces by a wide range of composers, from Bach to the Beatles, Mozart to Miles Davis, and many in between. A Geometry of Music is accessible to a range of readers, from undergraduate music majors to scientists and mathematicians with an interest in music. Defining its terms along the way, it presupposes no special mathematical background and only a basic familiarity with Western music theory. The book also contains exercises designed to reinforce and extend readers' understanding, along with a series of appendices that explore the technical details of this exciting new theory
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Counterpoint
موضوع مستند نشده
Harmony
موضوع مستند نشده
Musical analysis
رده بندی ديویی
شماره
781
.
2
ويراست
22
رده بندی کنگره
شماره رده
MT50
نشانه اثر
.
T98
2011
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )