یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 267-282) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Introduction: On Optical Allusion --- 1. Lexeme to Pixel : An Experiment in Narratography 2. Trick Beginnings and the European Uncanny --- 3. Out of Body in Hollywood --- 4. Temportation --- 5. VR from Cimnemonics to Digitime --- 6. Media archeology, hermeneutics, narratography
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema's 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films - from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Cache - Stewart investigates how their treatments of time reflect the change in media from film's original rolling reel to today's digital pixel." -- Publisher's description
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Motion pictures
موضوع مستند نشده
Space and time in motion pictures
رده بندی ديویی
شماره
791
.
43/684
ويراست
22
رده بندی کنگره
شماره رده
PN1994
نشانه اثر
.
S8174
2007
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )