"Originally published: Great Britain : Faber and Faber Ltd., 2011. Published in the United States by Farrar, Straus and Giroux"--Title page verso
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 431-440) and index
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
We live in a pop age gone loco for retro and crazy for commemoration, band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups. But what happens when we run out of past? Are we heading toward a sort of cultural-ecological catastrophe where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?
عنوان اصلی به زبان دیگر
عنوان اصلي به زبان ديگر
Pop culture's addiction to its own past
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Popular culture-- History
موضوع مستند نشده
Popular music-- Social aspects
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )