یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 219-239) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
1. Irving's paradigm -- 2. Hawthorne's awakening in the customhouse -- 3. Melville's high on the seas -- 4. Poe's voyage from Edgartown -- 5. Emerson's beautiful estate -- 6. Thoreau's quarrel with Emerson -- 7. Whitman's idea of women -- 8. Twain's cigar-store Indians -- 9. Dickinson's unpublished canon -- 10. Henry James's pearl at great price -- 11. Chopin's twenty-ninth bather -- 12. Dreiser's novel about a nun
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
In this spirited challenge to dominant American literary criticism, Jerome Loving extends the traditional period of American literary rebirth to the end of the nineteenth century and argues for the intrinsic value of literature in the face of new historicist and deconstructionist readings. Bucking the trend for prophetic and revisionist interpretations, Loving discusses the major work of the last century's canonized writers as restorative adventures with the self and society. From Washington Irving to Theodore Dreiser, Loving finds the American literary tradition filled with narrators who keep waking up to the central scene of the author's real or imagined life. They travel through a customhouse of the imagination in which the Old World experience of the present is taxed by the New World of the utopian past, where life is always cyclical instead of linear and ameliorative. Loving argues that the central literary experience in nineteenth-century America is the puritanical desire for the time before the loss of innocence - that endless chance of coming into experience anew. Lost in the Customhouse begins with a discussion of Irving, Hawthorne, Melville, Poe, Thoreau, and Emerson and finds these seminal Renaissance writers waking up primarily to psychological facts which blossomed into the fiction of a self begotten out of the nothingness of experience. In part 2, Loving shifts his attention to the urbanization of the American imagination and discusses Whitman, Twain, Dickinson, James, Chopin, and Dreiser. Here the dream-driven impulse is more clearly influenced by social history: abolition, women's suffrage, industrialization, and the growth of professionalism. Loving focuses upon the role of the woman who finds herself on the same frontier as her male precursors - "with nothing but a carpetbag - that is to say, the [American] ego." Throughout the study, Loving challenges the notion that American literature is preponderately "cultural work." In the epilogue, he packs up his own carpetbag and passes through the European customhouse to find that American writers are more readily perceived as literary geniuses outside of their culture than within it
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Lost in the customhouse.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
American literature-- 19th century-- History and criticism-- Theory, etc
موضوع مستند نشده
Authorship-- Social aspects-- United States-- History-- 19th century
موضوع مستند نشده
Canon (Literature)
موضوع مستند نشده
Literature and society-- United States-- History-- 19th century
موضوع مستند نشده
Self in literature
موضوع مستند نشده
Art d'écrire - Aspect social - États-Unis - Histoire - 19e siècle
موضوع مستند نشده
Chefs-d'œuvre (Littérature)
موضوع مستند نشده
Littérature américaine - 19e siècle - Histoire et critique - Théorie, etc
موضوع مستند نشده
Littérature et société - États-Unis - Histoire - 19e siècle
موضوع مستند نشده
Moi (Psychologie) dans la littérature
مقوله موضوعی
موضوع مستند نشده
s1an
رده بندی ديویی
شماره
810
.
9/003
ويراست
20
رده بندی کنگره
شماره رده
PS201
نشانه اثر
.
L64
1993
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )