عنوان
پدید آورنده
موضوع
رده
ML3532 .K55 2002
ML3532
.
K55
2002
کتابخانه
محل استقرار
شابک
شابک
1578064899 (cloth : alk. paper)
شابک
160473003X (pbk)
شابک
9781578064892 (cloth : alk. paper)
شابک
9781604730036 (pbk)
شماره کتابشناسی ملی
شماره
b517794
عنوان و نام پديدآور
عنوان اصلي
Reggae, Rastafari, and the rhetoric of social control /
نام عام مواد
[Book]
نام نخستين پديدآور
by Stephen A. King ; with contributions by Barry T. Bays III and P. Renée Foster.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Jackson :
نام ناشر، پخش کننده و غيره
University Press of Mississippi,
تاریخ نشرو بخش و غیره
c2002.
مشخصات ظاهری
نام خاص و کميت اثر
xxv, 173 p. :
ساير جزييات
ill. ;
ابعاد
24 cm.
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (p. 150-162) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
PART ONE (1959-1971) -- Ska and the roots of Rastafarian musical protest -- Rocksteady, the Rude Boy, and the political awakening of Rastafari -- Early reggae, Black power, and the politicization of Rastafari -- Jamaica Labour Party's "policy of the beast" : the rhetoric of social control strategies -- PART TWO (1972-1980) -- International reggae : popularization and polarization of Rastafari -- Michael Manley and the People's National Party's co-optation of the Rastafari and reggae.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists." "Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica's poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a "violent counterculture" but an important symbol of Jamaica's new cultural heritage.".
متن يادداشت
"This book attempts to explain how the Jamaican establishment's strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement." "From 1959 to 1971, Jamaica's popular music became identified with the Rastafarians, a social movement that gave voice to the country's poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders.".
متن يادداشت
"Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this world-wide religion. Exploiting this opportunity, Jamaica's new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica's chief cultural commodities and tourist attractions."--BOOK JACKET.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Music-- Social aspects-- Jamaica.
موضوع مستند نشده
Rastafari movement-- Jamaica-- History.
موضوع مستند نشده
Reggae music-- Jamaica-- History and criticism.
رده بندی کنگره
شماره رده
ML3532
نشانه اثر
.
K55
2002
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
King, Stephen A.,1964-
نام شخص - (مسئولیت معنوی برابر )
مستند نام اشخاص تاييد نشده
Bays, Barry T.
مستند نام اشخاص تاييد نشده
Foster, P. Renée.
مبدا اصلی
تاريخ عمليات
20140220094122.0
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب اطلاعات رکورد کتابشناسی
نوع ماده
[Book]
اطلاعات دسترسی رکورد
تكميل شده
Y
