یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index
یادداشتهای مربوط به مندرجات
متن يادداشت
A foreword looking back -- Acknowledgments -- Can we be the (new) Third World? -- The conservative avant-garde -- The 1960s, TDR, and performance studies: from a 2009 interview by Ana Bigotte Vieira and Ricardo Seiça Salgado, revised in 2014 by Richard Schechner -- 9/11 as avant-garde art? -- Performed imaginaries: the Ramlila of Ramnagar and the Maya-Lila cosmos -- Self-inflicted wounds: art, ritual, popular culture -- "Points of contact" revisited
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
In this collection of essays, performance studies scholar and artist Richard Schechner brings his unique perspective to bear upon some of the key themes of society in the 21st century. Schechner connects the avantgarde and terror, the counter-cultural movement of the 1960s/70s and the Occupy movement; self-wounding art, popular culture, and ritual; the Ramlila cycle play of India and the way imagination structures reality; the corporate world and conservative artists. Schechner asks artists to redeploy Nehru's Third World as a movement not of nations but of like-minded culture workers who must propose counter-performances to war, violence, and the globalized corporate empire. With characteristic brio, Schechner urges us to play for keeps. "Playing deeply is a way of finding and embodying new knowledge", he writes. Performed Imaginaries ranges through some of the key moves within Schechner's oeuvre, and challenges today's experimental artists, activists, and scholars to generate a new, third world of performance
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Performing arts-- Philosophy
موضوع مستند نشده
Theater-- Philosophy
رده بندی ديویی
شماره
791
.
01
ويراست
23
رده بندی کنگره
شماره رده
PN1584
نشانه اثر
.
S33
2015
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )