یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index
یادداشتهای مربوط به مندرجات
متن يادداشت
pt. 1. What drama does and how it does it -- Setting the stage -- Seeing is believing -- The muse takes a holiday -- "It's counterpoint," he countered, and pointed -- Illusion and collusion -- Reaction time -- pt. 2. The second stage: the invention of rhetoric -- Paradigm shift happens -- Perhaps you will object -- Putting the accuser on trial
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This book challenges the standard view that formal rhetoric arose in response to the political and social environment of ancient Athens. Instead, it is argued, it was the theatre of Ancient Greece, first appearing around 500 BC that prompted the development of formalized rhetoric, which evolved soon thereafter. Indeed, ancient Athenian drama was inextricably bound to the city-state's development as a political entity, as well as to the birth of rhetoric. Ancient Greek dramatists used mythical conflicts as an opportunity for staging debates over issues of contemporary relevance, civic responsibility, war, and the role of the gods. The author shows how the essential feature of dialogue in drama created a 'counterpoint'--an interplay between the actor making the speech and the character reacting to it on stage. This innovation spurred the development of other more sophisticated forms of argumentation, which ultimately formed the core of formalized rhetoric
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Greek drama-- History and criticism
موضوع مستند نشده
Rhetoric-- History
رده بندی ديویی
شماره
808
.
009
ويراست
23
رده بندی کنگره
شماره رده
PN183
شماره رده
PN183
نشانه اثر
.
S26
2012
نشانه اثر
.
S26
2012
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )