Simultaneously published in Great Britain by Reaktion Books, London.
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
The case for disruption -- Tormented vision -- The view from above -- The end of heroism -- The world as scenery -- Baroque nature -- Colonial baroque -- Neo and Pseudo Baroque -- Baroque in the twentieth century.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"From its beginnings in the seventeenth century, the Baroque embraced the whole of Catholic Europe and infiltrated Protestant England, Orthodox Russia and even Muslim Turkey. Architecture, paintings, poetry, music, natural science and new forms of piety all have their places on the Baroque map. Harbison explores their metamorphoses into later styles, particularly the Rococo, and, in an unexpected twist, pursues the Baroque idea into the nineteenth and twentieth centuries, proposing provocative analyses of pastiches or imitations (in Der Rosenkavalier and the work of Aubrey Beardsley) or resemblances (deliberate or not) in Czech Cubism and Frank Gehry's architecture.
متن يادداشت
"In this reinterpretation of the Baroque, Robert Harbison offers new readings that stress its eccentric and tumultuous forms, in which a destabilized sense of reality is often projected onto the viewer. This strange, subjectively inclined world is manifested in such bizarre phenomena as the small stuccoed universe of Giacomo Serpotta, the Sacred Mounts of Piedmont and the grimacing heads of F. X. Messerschmidt.".
متن يادداشت
Typical of Harbison's approach is the depth and breadth of its points of reference. Reflections on Baroque demonstrates that the Baroque impulse lives on in the 21st-century imagination."--BOOK JACKET.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Arts, Baroque.
موضوع مستند نشده
Civilization, Baroque.
رده بندی کنگره
شماره رده
NX451
.
5
.
B3
نشانه اثر
H37
2000
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )