SUNY series, studies in the long nineteenth century
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Ch. 1. Gothic Double Binds, Or, Irish Terrorists Confront an Unholy Union -- Ch. 2. Wrong Marriage : Maturin and the Double Logic of Masculinity in the Unionist Gothic -- Ch. 3. Revolution Within : Wilde's Gothic and the Confines of Convention -- Ch. 4. Overcoming Allegory : Joyce's Ulysses and the Limits of the Irish Gothic -- Ch. 5. Engendering a Cartesian Gothic : Generic Form as History in Beckett's Fiction -- Epilogue : The Poetics of Fear : Gothic Inheritance at the End of Modernity
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"Terror and Irish Modernism offers a synoptic overview of modern Irish fiction. Covering more than two centuries of literary production, Jim Hansen locates the root structure of modern Irish fiction in the masculine gender anxiety of one of the nineteenth century's most popular literary genres: the Gothic. Addressing both the decolonization of Ireland and the politics of literary form, Hansen sheds new light on canonical works by Maria Edgeworth, C. R. Maturin, Oscar Wilde, James Joyce, and Samuel Beckett by reading them all as part of the generic tradition of the Irish Gothic. He focuses in particular on how the Irish Gothic tradition translated the English Gothic's female-confinement narrative into a story about confined, feminized male protagonists. In reading this male gender-disorientation as the foundational condition of modern Irish political identity, Terror and Irish Modernism provides a thoroughly new genealogy of modern Irish fiction."--BOOK JACKET
متن يادداشت
"Terror and Irish Modernism offers a synoptic overview of modern Irish fiction. Covering more than two centuries of literary production, Jim Hansen locates the root structure of modern Irish fiction in the masculine gender anxiety of one of the nineteenth century's most popular literary genres: the Gothic. Addressing both the decolonization of Ireland and the politics of literary form, Hansen sheds new light on canonical works by Maria Edgeworth, C. R. Maturin, Oscar Wilde, James Joyce, and Samuel Beckett by reading them all as part of the generic tradition of the Irish Gothic. He focuses in particular on how the Irish Gothic tradition translated the English Gothic's female-confinement narrative into a story about confined, feminized male protagonists. In reading this male gender-disorientation as the foundational condition of modern Irish political identity, Terror and Irish Modernism provides a thoroughly new genealogy of modern Irish fiction."--BOOK JACKET
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
English fiction-- Irish authors-- History and criticism
موضوع مستند نشده
Gothic fiction (Literary genre), English-- Ireland-- History and criticism
موضوع مستند نشده
Gothic revival (Literature)-- Ireland
موضوع مستند نشده
Modernism (Literature)-- Ireland
موضوع مستند نشده
Terror in literature
رده بندی کنگره
شماره رده
PR8807
.
G67
نشانه اثر
H36
2009
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )