یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages [279]-294) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Introduction / Simon Frith and Simon Zagorski-Thomas -- Part I : Historical Approaches. The lacquer disc for immediate playback : professional recording and home recording from the 1920s to the 1950s / George Brock-Nannestad -- The sounds of space : studio as instrument in the era of high fidelity / Susan Schmidt Horning -- No-Fi : crafting a language of recorded music in 1950s pop / Albin Zak III -- The US vs the UK sound : meaning in music production in the 1970s / Simon Zagorski-Thomas -- The end of the world as we know it : the changing role of the studio in the age of the internet / Paul Théberge -- Part II : Theoretical Approaches. Beyond a musicology of production / Allan Moore -- 'I'm not hearing what you're hearing' : the conflict and connection of headphone mixes and multiple audioscapes / Alan Williams -- The self-effacing producer : absence summons presence / Michael Jarrett -- Rethinking creativity : record production and the systems model / Phillip McIntyre -- Considering space in recorded music / William Moylan -- Part III : Case studies. Simulating the ideal performance : Suvi Raj Grubb and classical music production / Andrew Blake -- The place of the producer in the discourse of rock / Simon Frith -- The Beach Boys' Pet Sounds and the musicology of record production / Jan Butler -- Tubby's dub style : the live art of record production / Sean Williams -- Recording the revolution : 50 years of music studios in revolutionary Cuba / Jan Fairley and Alexandrine Boudreault-Fournier