یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 270-292) and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Songs alive -- How (not) to write a motet : the exemplary In virtute/Decens -- Motet visions of an apocalyptic statue -- Interlude : Nebuchadnezzar's dream -- Ars nova and division
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Late medieval motet texts are brimming with chimeras, centaurs and other strange creatures. In The Monstrous New Art, Anna Zayaruznaya explores the musical ramifications of this menagerie in the works of composers Guillaume de Machaut, Philippe de Vitry, and their contemporaries. Aligning the larger forms of motets with the broad sacred and secular themes of their texts, Zayaruznaya shows how monstrous or hybrid exempla are musically sculpted by rhythmic and textural means. These divisive musical procedures point to the contradictory aspects not only of explicitly monstrous bodies, but of such apparently unified entities as the body politic, the courtly lady, and the Holy Trinity. Zayaruznaya casts a new light on medieval modes of musical representation, with profound implications for broader disciplinary narratives about the history of text-music relations, the emergence of musical unity, and the ontology of the musical work [Publisher description]
نام شخص به منزله موضوع
موضوع مستند نشده
Guillaume,approximately 1300-1377., Motets
موضوع مستند نشده
Vitry, Philippe de,1291-1361., Motets
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Motets-- France-- 500-1400-- History and criticism
رده بندی کنگره
شماره رده
ML1427
.
2
شماره رده
ML1427
.
2
نشانه اثر
.
Z39
2015
نشانه اثر
.
Z39
2015
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )