Jean-Luc Nancy and Federico Ferrari ; translated by Anne O'Byrne and Carlie Anglemire
وضعیت ویراست
وضعيت ويراست
First edition
مشخصات ظاهری
نام خاص و کميت اثر
v, 128 pages :
ساير جزييات
illustrations ;
ابعاد
22 cm
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references
یادداشتهای مربوط به مندرجات
متن يادداشت
Machine generated contents note: -- Nus sommes -- Preamble -- Acéphale -- Bathsheba -- Caress -- Disfiguration -- Equivocal -- Fenestration -- Goya -- Humus -- Incarnate -- Joker -- Khaos -- Lumbar -- Model -- Nimbus -- Optic -- Presence -- Quotidian -- Resurrection -- Scopophilia -- Trans -- Use -- Veritas -- We -- X -- Y -- Zero
بدون عنوان
8
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"26 reflections on nude images from the history of Western art including Rembrandt, Goya, David Hockney and Nan Golden. The authors, both philosophers, develop an approach to the nude that involves shedding preconceived concepts and exposing ourselves to the fleeting sense that passes over the surface of the nude's skin and over the surface of the image"--
متن يادداشت
"What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed"--
عنوان قراردادی
عنوان قراردادي
Nus sommes.
زبان(وقتي جزئي از عنوان قراردادي باشد)
English
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Aesthetics
موضوع مستند نشده
Nude in art
موضوع مستند نشده
Nudity-- Psychological aspects
رده بندی ديویی
شماره
704
.
9/421
ويراست
23
رده بندی کنگره
شماره رده
N7572
نشانه اثر
.
N3613
2014
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )