عنوان
پدید آورنده
موضوع
رده
ND623.G6 G28 2011eb
ND623
.
G6
G28
2011eb
کتابخانه
محل استقرار
شابک
شابک
0674060970
شابک
9780674060975
شابک اشتباه
0674050800
شابک اشتباه
9780674050808
شماره کتابشناسی ملی
شماره
dltt
عنوان و نام پديدآور
عنوان اصلي
Giotto and his publics
نام عام مواد
[Book]
ساير اطلاعات عنواني
three paradigms of patronage /
نام نخستين پديدآور
Julian Gardner
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Cambridge, Mass. :
نام ناشر، پخش کننده و غيره
Harvard University Press,
تاریخ نشرو بخش و غیره
2011
مشخصات ظاهری
نام خاص و کميت اثر
1 online resource (xii, 240 pages)
فروست
عنوان فروست
Bernard Berenson lectures on the Italian Renaissance
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index
یادداشتهای مربوط به مندرجات
متن يادداشت
Introduction -- Giotto at Pisa : the Stigmatization for San Francesco -- Giotto among the money-changers : the Bardi Chapel in Santa Croce -- The lull before the storm : the Vele in the lower church at Assisi -- Conclusion -- Appendix : inscriptions of the Vele -- Chronology
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty
متن يادداشت
Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi
متن يادداشت
These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto's frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood."--Jacket
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Giotto and his publics.
قطعه
عنوان
ACLS Humanities E-Book
نام شخص به منزله موضوع
موضوع مستند نشده
Francis,1182-1226
موضوع مستند نشده
Giotto,1266?-1337-- Criticism and interpretation
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Art patronage-- Italy-- History-- To 1500
رده بندی کنگره
شماره رده
ND623
.
G6
نشانه اثر
G28
2011eb
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Gardner, Julian
نام شخص - (مسئولیت معنوی برابر )
مستند نام اشخاص تاييد نشده
Giotto,1266?-1337
مبدا اصلی
تاريخ عمليات
20151119031523.0
قواعد فهرست نويسي ( بخش توصيفي )
pn
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب اطلاعات رکورد کتابشناسی
نوع ماده
[Book]
اطلاعات دسترسی رکورد
تكميل شده
Y
