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عنوان
The Cambridge companion to fantasy literature /

پدید آورنده
edited by Edward James and Farah Mendlesohn

موضوع
Fantasy literature-- Appreciation,Fantasy literature-- History and criticism-- Theory, etc,Fantasy literature, American-- History and criticism,Fantasy literature, English-- History and criticism

رده
PR149
.
F35
C36
2012

کتابخانه
مرکز و کتابخانه مطالعات اسلامی به زبان‌های اروپایی

محل استقرار
استان: قم ـ شهر: قم

مرکز و کتابخانه مطالعات اسلامی به زبان‌های اروپایی

تماس با کتابخانه : 32910706-025

شابک

شابک
0521429595
شابک
0521728738 (pbk.)
شابک
9780521429597
شابک
9780521728737 (pbk.)

شماره کتابشناسی ملی

شماره
dltt

عنوان و نام پديدآور

عنوان اصلي
The Cambridge companion to fantasy literature /
نام عام مواد
[Book]
نام نخستين پديدآور
edited by Edward James and Farah Mendlesohn

وضعیت نشر و پخش و غیره

محل نشرو پخش و غیره
New York :
نام ناشر، پخش کننده و غيره
Cambridge University Press,
تاریخ نشرو بخش و غیره
c2012

مشخصات ظاهری

نام خاص و کميت اثر
xxiv, 268 p. ;
ابعاد
24 cm

فروست

عنوان فروست
Cambridge companions to topics

یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر

متن يادداشت
Includes bibliographical references (p. 257-261) and index
متن يادداشت
Includes bibliographical references and index

یادداشتهای مربوط به مندرجات

متن يادداشت
Machine generated contents note: Introduction Edward James and Farah Mendlesohn; Part I. Histories: 1. Fantasy from Dryden to Dunsany Gary K. Wolfe; 2. Gothic and horror fiction Adam Roberts; 3. American fantasy, 1820-1950 Paul Kincaid; 4. The development of children's fantasy Maria Nikolajeva; 5. Tolkien, Lewis, and the explosion of genre fantasy Edward James; Part II. Ways of Reading: 6. Structuralism Brian Attebery; 7. Psychoanalysis Andrew M. Butler; 8. Political readings Mark Bould and Sherryl Vint; 9. Modernism and postmodernism Jim Casey; 10. Thematic criticism Farah Mendlesohn; 11. The languages of the fantastic Greer Gilman; 12. Reading the fantasy series Kari Maund; 13. Reading the slipstream Gregory Frost; Part III. Clusters: 14. Magical realism Sharon Sieber; 15. Writers of colour Nnedi Okorafor; 16. Quest fantasies W. A. Senior; 17. Urban fantasy Alexander C. Irvine; 18. Dark fantasy and paranormal romance Roz Kaveney; 19. Modern children's fantasy Charlie Butler; 20. Historical fantasy Veronica Schanoes; 21. Fantasies of history and religion Graham Sleight
بدون عنوان
8

یادداشتهای مربوط به خلاصه یا چکیده

متن يادداشت
"Fantasy is a creation of the Enlightenment and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at the history of fantasy since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who edited The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005)"--
متن يادداشت
"Fantasy is not so much a mansion as a row of terraced houses, such as the one that entranced us in C. S. Lewis's The Magician's Nephew with its connecting attics, each with a door that leads into another world. There are shared walls, and a certain level of consensus around the basic bricks, but the internal decor can differ wildly, and the lives lived in these terraced houses are discrete yet overheard. Fantasy literature has proven tremendously difficult to pin down. The major theorists in the field - Tzvetan Todorov, Rosemary Jackson, Kathryn Hume, W. R. Irwin and Colin Manlove - all agree that fantasy is about the construction of the impossible whereas science fiction may be about the unlikely, but is grounded in the scientifically possible. But from there these critics quickly depart, each to generate definitions of fantasy which include the texts that they value and exclude most of what general readers think of as fantasy. Most of them consider primarily texts of the nineteenth and early twentieth century. If we turn to twentieth-century fantasy, and in particular the commercially successful fantasy of the second half of the twentieth century, then, after Tolkien's classic essay, 'On Fairy Stories', the most valuable theoretical text for taking a definition of fantasy beyond preference and intuition is Brian Attebery's Strategies of Fantasy (1992)"--

موضوع (اسم عام یاعبارت اسمی عام)

موضوع مستند نشده
Fantasy literature-- Appreciation
موضوع مستند نشده
Fantasy literature-- History and criticism-- Theory, etc
موضوع مستند نشده
Fantasy literature, American-- History and criticism
موضوع مستند نشده
Fantasy literature, English-- History and criticism

رده بندی ديویی

شماره
823/
.
0876609
ويراست
23

رده بندی کنگره

شماره رده
PR149
.
F35
نشانه اثر
C36
2012

نام شخص - (مسئولیت معنوی برابر )

مستند نام اشخاص تاييد نشده
James, Edward,1947-
مستند نام اشخاص تاييد نشده
Mendlesohn, Farah

مبدا اصلی

تاريخ عمليات
20120402232753.0

دسترسی و محل الکترونیکی

نام الکترونيکي
 مطالعه متن کتاب 

اطلاعات رکورد کتابشناسی

نوع ماده
[Book]

اطلاعات دسترسی رکورد

تكميل شده
Y

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