یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and filmography
یادداشتهای مربوط به مندرجات
متن يادداشت
A speck of dust in a football stadium -- Earth -- Water -- Fire -- Air -- Quintessence
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Oasis's incendiary 1994 debut album "Definitely Maybe" managed to summarize almost the entire history of post-fifties guitar music from Chuck Berry to My Bloody Valentine in a way that seemed effortless. But this remarkable album was also a social document that came closer to narrating the collective hopes and dreams of a people than any other record of the last quarter century. In a Britain that had just undergone the most damaging period of social upheaval in a century under the Thatcher government, Noel Gallagher ventriloquized slogans of burning communitarian optimism through the mouth of his brother Liam and the playing of the other Oasis 'everymen' Paul McGuigan, Paul Arthurs and Tony McCarroll. On Definitely Maybe, Oasis communicated a timeworn message of idealism and hope against the odds, but one that had special resonance in a society where the widening gap between high and low demanded a newly superhuman kind of leaping. Alex Niven charts the astonishing rise of Oasis in the mid 1990s and celebrates the life-affirming, communal force of songs such as Live Forever, Supersonic and Cigarettes & Alcohol. In doing so, he seeks to reposition Oasis in relation to their Britpop peers and explore one of the most controversial pop-cultural narratives of the last thirty years
نام تنالگان به منزله موضوع
موضوع مستند نشده
Oasis (Rock group)., Definitely maybe
رده بندی کنگره
شماره رده
ML421
.
O27
نشانه اثر
N58
2014
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )