language and painting from cubism to concrete poetry /
نام نخستين پديدآور
Stephen Scobie.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Toronto :
نام ناشر، پخش کننده و غيره
University of Toronto Press,
تاریخ نشرو بخش و غیره
c1997.
مشخصات ظاهری
نام خاص و کميت اثر
xiv, 235 p. :
ساير جزييات
ill. ;
ابعاد
24 cm.
فروست
عنوان فروست
Theory/culture
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (p. [219]-227) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
The supplement of language -- 'We are a man': the narrativization of painting -- Apollinaire and the naming of Cubism -- The gospel according to Kahnweiler -- The semiotics of Cubism -- Metaphor and metonymy in Cubism and Gertrude Stein -- The window frame: Delaunay and Apollinaire -- Signs of the times -- Gadji Beri Bimba: abstraction in poetry -- Models of order: Ian Hamilton Finlay.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
The author's concern is both with a general theoretical question - the relationship between painting and poetry, between the visual and the verbal - and with a specific period of artistic history - the early years of the twentieth century, when Cubism flourished. Rather than seeing any conflict or irreconcilable division between painting and poetry, Scobie proposes, as a model for their relation, the Derridean notion of 'the supplement.' This relation is grounded in the pervasiveness of language, in the ways in which language surrounds, imbues, structures, and supplements both verbal and nonverbal images.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Art and literature.
موضوع مستند نشده
Concrete poetry-- History and criticism.
موضوع مستند نشده
Cubism and literature.
موضوع مستند نشده
Painting, Modern-- 20th century.
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )