: Iranian, Turkish, and Indian Highlights from NYU's Abby Weed Grey Collection
نام نخستين پديدآور
\ edited and with a foreword by Lynn Gumpert; essays by Shiva Balaghi, Fereshteh Daftari, Lynn Gumpert, Susan Hapgood, Ranjit Hoskote, Ali Mirsepassi and Hamed Yousefi, and Sarah-Neel Smith ; contributions by Duygu Demir, Vishakha N. Desai, Vasif Kortun, Robert R. Littman, Ally Mintz, Ilhan Ozan, Rashmi Meenakshi Viswanathan, and Michele Wong
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
Munich
نام ناشر، پخش کننده و غيره
: Hirmer Publishers
تاریخ نشرو بخش و غیره
, 2019
مشخصات ظاهری
نام خاص و کميت اثر
288 p.
ساير جزييات
:ill. (some color)
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Bibliography
متن يادداشت
Index
یادداشتهای مربوط به مندرجات
متن يادداشت
Direct dialogues : reflections on Abby Weed Grey / Lynn Gumpert -- Rethinking modernity : Iranian visual arts in "the century of machinery, speed, and the atom" / Shiva Balaghi -- Forgotten georgaphies of artistic diplomacy : Abby Weed Grey and U.S.-Middle East exchanges in the 1960s / Sarah-Neel Smith -- The disordered origins of things -- the art collection as pre-canonical space / Ranjit Hoskote.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Modernisms explores art from the 1960s and early '70s from Iran, Turkey, and India via selections from an unparalleled collection at New York University. Featuring new scholar ship and seminal essays, this book also illustrates paintings, sculptures, drawings, and prints from these three countries alongside biographical narratives of each Artist.00Modernisms will be the first book to provide a cross-cultural study of works from Iran, Turkey, and India. In so doing, it will illuminate our understanding of modern art created outside the long-dominant North American-Western European axis. With nearly 700 works, the Abby Weed Grey Collection comprises the largest institutional holdings of modern art from Iran and Turkey outside those countries, and the most important trove of modern Indian art in an American university museum. Proposing non-Western art as a critical component of modernity, this publication challenges the long held belief that other modernisms are second-rate.00Exhibition: Grey Art Gallery, New York University, New York, USA (10.09. - 07.12.2019) / The Block Museum of Art, Evanston, USA (21.01. - 05.04.2020).