عنوان

Poetry as Experience

شماره

101645

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

زبان متن نوشتاري يا گفتاري و مانند آن

Ger

عنوان اصلي

Poetry as Experience

نام عام مواد

[Compact disk]

نام نخستين پديدآور

\ Philippe Lacoue-Labarthe

نام ساير پديدآوران

translated by Andrea Tarnowski

محل نشرو پخش و غیره

Stanford, Calif.

نام ناشر، پخش کننده و غيره

: Stanford University Press

تاریخ نشرو بخش و غیره

, 1999.

نام خاص و کميت اثر

1 CD-ROM

عنوان فروست

Meridian

متن يادداشت

Part I. Two Poems by Paul Celan.- Part II. Remembering Dates: 1. Catastrophe-- 2. Prayer-- 3. Sublime-- 4. Hagiography-- 5. The power of naming-- 6. Pain-- 7. Ecstasy-- 8. Vertigo-- 9. Blindness-- 10. Lied-- 11. Sky-- 12. The unforgivable-- Notes

بدون عنوان

0

متن يادداشت

Lacoue-Labarthe's "Poetry as Experience" addresses the question of a lyric language that would not be the expression of subjectivity. In his analysis of the historical position of Paul Celan s poetry, Lacoue-Labarthe defines the subject as the principle that founds, organizes, and secures both cognition and action a principle that turned, most violently during the twentieth century, into a figure not only of domination but of the extermination of everything other than itself. This thoroughly universal, abstract, and finally suicidal subject eradicates all experience, save the singularity of this experience of voiding. But what is left, as Paul Celan insisted, is a remainder to the lyric voice alone: Singbarer Rest. Lacoue-Labarthe s detailed analyses of two decisive poems by Celan, T bingen, JSnner and Todtnauberg the one a response to Holderlin, the other to Heidegger and his sustained reading of The Meridian present Celan s verse of singularity as the movement at and beyond the border of generalizable experience, i.e., as an experience, a traversing of a dangerous field, in which language no longer dominates anything, but rather commemorates the voiding of concepts and the collapse of the constitutive powers of the subject. For Lacoue-Labarthe, poetry after the Shoah, the poetry of bared singularity, is no longer a poetry that would correspond to the concept of the subject or, for that matter, to the concept of poetry but is rather the language of the decept. Only by being disappointed of the heroic language of idealistic poetry, and of the mytho-ontological tendencies of philosophy, can Celan s poetry keep open the possibility of another history, another future.

عنوان اصلي به زبان ديگر

:Poésie comme expérience

زبان عنوان

French

موضوع مستند نشده

Celan, Paul -- Criticism and interpretation

موضوع مستند نشده

س‍لان‌، پ‍ل‌، ۱۹۲۰ - ۱۹۷۰م. -- نقد و تفسیر

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Lacoue-Labarthe, Philippe

کد نقش

Translator

مستند نام اشخاص تاييد نشده

Tarnowski, Andrea

کشور

ایران

تاريخ عمليات

20151124

متن ارتباطي

لببیلبیلبیلیب

نوع ماده

VL

کد کاربرگه

276179

پیشوند ISBD اعمال شده است

1

سطح دسترسي

a

تكميل شده

Y