عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
T684
زبان اثر
زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی
عنوان و نام پديدآور
عنوان اصلي
The making of modernity in South Korea: A discourse analysis of jazz in the mass media from the 1920s to 2011
نام عام مواد
[Thesis]
نام ساير پديدآوران
;supervisor: Berggreen, Shu-Ling Chen
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of Colorado at Boulder: United States -- Colorado
تاریخ نشرو بخش و غیره
: 2012
مشخصات ظاهری
نام خاص و کميت اثر
137 Pages
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This dissertation explores how the discourse of modernity played a critical role in creating the meanings of jazz in the topography of South Korean popular culture. Based upon a discourse analysis of Korean media coverage about jazz from the 1920s to 2011, this study examines how jazz as a component of US popular culture shaped the social meanings of modernity in Korea. Before delving into an analysis of jazz discourse in Korea, the study explains the historical development of jazz by reviewing published literature including books, journal articles and other historical texts. Modernity and post-colonialist theories are suggested as two key concepts in understanding jazz's cultural status and influences on contemporary Korean culture. This paper reveals three prominent discourses: the modern lifestyle discourse, the authenticity seeking discourse and, last but not least, the Koreanization of jazz discourse. These three discourses coordinated to enhance modernity as their overarching interest: modernity. Throughout the analysis, the collision of three discourses made the cultural meaning of jazz multi-layered. In addition, this dissertation examines the dynamics between tradition and modernity. In the process of receiving jazz as a representation of Western culture, multiple collisions happened between Korean tradition and Western modernity. At the center of this research is an investigation of how such conflicts arose, were negotiated, and became legitimate. A plethora of discourses on jazz appearing in mass media works as an access point to observe the struggles for hegemony among different, often conflicting social values. This research examines the process by which jazz acquired, changed and reproduced socio-cultural meanings in South Korea. It probes into the process of social and cultural meanings of jazz and how these have been changed and reshaped by Korean contexts. Modernity, tradition and post-coloniality as theoretical background have been drawn upon in this dissertation. Based on these concepts, this dissertation investigates how the social perception of jazz is constructed and how it responds to social reality.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Journalism
موضوع مستند نشده
Music
موضوع مستند نشده
Communication
موضوع مستند نشده
Mass communications
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Communication and the arts
اصطلاح موضوعی
Discourse
اصطلاح موضوعی
Globalization
اصطلاح موضوعی
Jazz
اصطلاح موضوعی
Modernity
اصطلاح موضوعی
Postcolonialism
اصطلاح موضوعی
South Korea
اصطلاح موضوعی
Mass media
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Ryu, Donghyup
نام شخص - ( مسئولیت معنوی درجه دوم )
مستند نام اشخاص تاييد نشده
Berggreen, Shu-Ling Chen
دسترسی و محل الکترونیکی
تاريخ و ساعت مذاکره و دسترسي
TL684.pdf
متن ارتباطي
لببیلبیلبیلیب
وضعیت انتشار
فرمت انتشار
e
اطلاعات رکورد کتابشناسی
نوع ماده
TL
کد کاربرگه
254359
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
