یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (p. 194-213) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Introduction -- 1. Gender, melancholy, and the whiteness of impersonal form in The Great Gatsby -- 2. Redeeming violence in The Sun Also Rises: phallic embodiment, primitive ritual, fetishistic melancholia -- 3. Versions of traumatic melancholia: the burden of white man's history in Light in August and Absalom, Absalom! -- 4. The Professor's House: primitivist melancholy and the gender of Utopian forms.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"American modernist writers' engagement with changing ideas of gender and race often took the form of a struggle against increasingly inflexible categories. Greg Forter interprets modernism as an effort to mourn a form of white manhood that fused the 'masculine' with the 'feminine'. He argues that modernists were engaged in a poignant yet deeply conflicted effort to hold on to socially 'feminine' and racially marked aspects of identity, qualities that the new social order encouraged them to disparage. Examining works by F. Scott Fitzgerald, Ernest Hemingway, William Faulkner and Willa Cather, Forter shows how these writers shared an ambivalence toward the feminine and an unease over existing racial categories that made it difficult for them to work through the loss of the masculinity they mourned. Gender, Race, and Mourning in American Modernism offers a bold new reading of canonical modernism in the United States"--
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
American fiction-- 20th century-- History and criticism.
موضوع مستند نشده
Modernism (Literature)-- United States.
موضوع مستند نشده
Gender identity in literature.
موضوع مستند نشده
Race in literature.
موضوع مستند نشده
Grief in literature.
رده بندی کنگره
شماره رده
PS310
.
M57
نشانه اثر
F67
2011
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )