عنوان

Monuments and inscriptions in Republican Rome :

Number

TLets775442

Title Proper

Monuments and inscriptions in Republican Rome :

General Material Designation

[Thesis]

First Statement of Responsibility

Luci, Fabio

Title Proper by Another Author

linguistic framework for interpreting art and text

Name of Publisher, Distributor, etc.

Durham University

Date of Publication, Distribution, etc.

2019

Dissertation or thesis details and type of degree

Ph.D.

Body granting the degree

Durham University

Text preceding or following the note

2019

Text of Note

This dissertation focusses on the interaction between monuments and inscriptions in Republican Rome, by using a linguistic framework to demonstrate that a strong interconnection exists between them. The communicative power of Roman art was one of the most important way for ambitious men to self-present and to compete in the political arena in Rome, but only by combining the visual elements of their monuments with the language of inscriptions it was possible to make the most of its communicative power. In ancient Rome monuments had a significant role in all aspects of social and political life, but their visuality was only powerful inasmuch as its message could be understood by the audience. Inscriptions, in this sense, had an enormous role in guiding the viewers in understanding the significance of monuments' messages. Inscriptions required the active participation of their audience in completing the meaning of the monuments and thus they were heavily used by dedicators to create specific strategies for their self-presentation. This dissertation develops a model that relies on linguistic semiotics to demonstrate how the mechanics of interaction between monuments and inscriptions, and between visual and textual compositions as a unique set and their audience work. Monuments and inscriptions are discussed as part of the same syntax, in which their visual and textual elements can be combined in a unique and consistent narrative. The series of observations that this model raises have a significant impact not only on the way ancient people approached inscribed monuments, but also on the way we understand and rethink them. It is argued that monuments now considered lost are only fragmentary, and their fragments are in fact their surviving inscriptions. Inscriptions as such participated in the stylistic and iconographic evolution that Roman self-presentative and celebrative art underwent from the Republic to the Principate.

Luci, Fabio

Durham University

Electronic name

p

[Thesis]

276903

a

Y