Nīlakaṇṭha, Kṣemendra & Bhallaṭa ; edited and translated by Somadeva Vasudeva.
EDITION STATEMENT
Edition Statement
1st ed.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
JJC Foundation,
Date of Publication, Distribution, etc.
2005.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
403 pages ;
Dimensions
17 cm
SERIES
Series Title
The Clay Sanskrit library
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 379-381) and index.
CONTENTS NOTE
Text of Note
Bhallata's The hundred allegories -- Kshemendra's The grace of guile -- Nilakantha's Mockery of the Kali era.
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SUMMARY OR ABSTRACT
Text of Note
"Written over a period of eight hundred years, these works represent alternative approaches to satire." "Bhallata sought vengeance on his boorish new king by producing vicious sarcastic verse, "The Hundred Allegories." The disgruntled ninth-century CE court poet speaks of a setting sun, his former king and patron Avanti-varman, being replaced by a flickering firefly, the new king Shankara-varman, who did not continue his predecessor's patronage." "The artistry that captivates the Kashmirian Kshemendra in the eleventh century in "The Grace of Guile" is as varied as human nature and just as fallible. He presents himself as a social reformer out to shame the complacent into compliance with Vedic morality." "In the seventeenth century CE, Nila-kantha gets straight to the point in his "Mockery of the Kali Era": little can redeem the fallen characters he portrays, so his duty is simply to warn about the corruption of academics, sorcerers, astrologers, physicians, poets, relatives, and others."--Jacket.