عنوان

Hegel and the English romantic tradition

شماره

BL18918

عنوان اصلي

Hegel and the English romantic tradition

نام نخستين پديدآور

Wayne George Deakin, Chiang Mai University, Thailand

نام خاص و کميت اثر

ix, 198 pages.

عنصر شناسه ای

Hegel, Georg Wilhelm Friedrich, 1770-1831

عنصر شناسه ای

English literature

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English literature

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Literature

عنصر شناسه ای

Romanticism

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LITERARY CRITICISM / European / English, Irish, Scottish, Welsh

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LITERARY CRITICISM / Gothic & Romance

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PHILOSOPHY / Aesthetics

شماره رده

نشانه اثر

شماره رکورد رده بندي

شماره رکورد غير از شماره رده بندي

عنصر شناسه اي

Deakin, Wayne George, 1970- author

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Includes bibliographical references )pages 189-194( and index

عنصر شناسه اي

Machine generated contents note: -- Introduction -- i. A Discrimination of Vriticisms -- ii. Why 'philosophical romanticism' -- iii. Romantic Embodiment -- iv. Chapter Breakdown -- PART I: HEGELIAN ROMANTICISM AND THE SYMBIOTIC ALTERITY OF AUTONOMY AND RECEPTIVITY -- 1.1 Introduction -- 1.2 Hegel's Conception of Recognition in an Aesthetic Light -- 1.3 Hegel's Response to Romantic Art -- 1.4 Hegel and Romantic Metaphysics -- 1.5 Hegel's Aesthetics in the Modern Context -- PART II: PHILOSOPHY, THEOLOGY AND INTELLECTUAL INTUITION IN COLERIDGE'S POETICS -- 2.1 Introduction -- 2.2 Coleridge's Philosophical Dichotomy -- 2.3 Coleridge's Theological Escape from Aporia -- 2.4 Symbol and Allegory in Coleridge -- 2.5 The Deconstruction of Allegory and Symbol in 'Kubla Khan' -- 2.6 The Antagonists of the Imagination in 'Kubla Khan' -- 2.7 Coleridge's 'unhappy consciousness' in 'Frost at Midnight' -- 2.8 The Aporetic Recognition through Joy in 'Dejection' -- 2.9 Recognitive Breakdown in 'Constancy to an Ideal Object' -- PART III: WORDSWORTH'S METAPHYSICAL EQUIPOISE -- 3.1 Introduction -- 3.2 Wordsworth and Romantic Metaphysics -- 3.3 Wordsworth's Ladder -- 3.4 Dialectical Criticism of Wordsworth -- 3.5 Contingency and Embodiment -- 3.6 Doubt and Embodiment in 'Lines written a few miles above Tintern Abbey, on revisiting the banks of the Wye during a tour, July 13, 1798.' -- 3.7 'Home' at Grasmere: Embodiment -- 3.8 The Unifying Nature of the Wordsworthian Symbol -- 3.9 Conclusion -- PART IV: DIALECTICAL COLLAPSE AND POST-ROMANTIC RECOGNITION IN SHELLEY -- 4.1 Introduction -- 4.2 Shelley's Quest for the Imagination upon Mont Blanc -- 4.3 Visionary Alienation in 'Alastor' -- 4.4 Eschatological Projection in 'Adonais' -- 4.5 Wonder, Transfiguration and Irony in 'The Triumph of Life' -- PART V: THE CONTINGENT LIMITS OF ROMANTIC MYTH MAKING -- 5.1 Introduction -- 5.2 The Romantic Discourse of Wordsworth and Coleridge -- 5.3 Shelley's Second-order Discourse -- 5.4 Embodied Scepticism: Frankenstein -- 5.5 Conclusion.