The Influence of Harold Best's Music through the Eyes of Faith and Unceasing Worship on Select Worship Authors and Educators
نام عام مواد
[Thesis]
نام نخستين پديدآور
Keck Hodge, Elissa Hope
نام ساير پديدآوران
Coppenger, Mark T
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
The Southern Baptist Theological Seminary
تاریخ نشرو بخش و غیره
2020
مشخصات ظاهری
نام خاص و کميت اثر
241
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
The Southern Baptist Theological Seminary
امتياز متن
2020
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This dissertation examines the impact of Harold Best's Music through the Eyes of Faith (1993) and Unceasing Worship: Biblical Perspectives on Worship and the Arts (2003) on seven representative worship authors and educators. Through interviews and close examination of their writings, lectures, and philosophies, the impact of Best's primary arguments is traced. His main positions are (1) that human creativity is rooted in the doctrines of common grace and the creation of humankind in the imago Dei, (2) that worship (which is either biblical or idolatrous) is an inherent activity of all humans, and (3) that music is amoral, a premise upon which he builds his advocacy of musical pluralism in worship and in the Christian life.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Aesthetic philosophy
موضوع مستند نشده
Best, Harold M.
موضوع مستند نشده
Philosophy
موضوع مستند نشده
Worship
موضوع مستند نشده
Worship education
موضوع مستند نشده
Worship philosophy
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )