How House Museums in Los Angeles Strive-And Sometimes Struggle-To Achieve Authenticity
نام ساير پديدآوران
Goode, Joshua
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
The Claremont Graduate University
تاریخ نشرو بخش و غیره
2020
مشخصات ظاهری
نام خاص و کميت اثر
153
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
The Claremont Graduate University
امتياز متن
2020
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
In the early 1990s, authenticity become a buzzword in the heritage tourism industry as the characteristic that sets historic sites apart from other tourist attractions such as amusement parks. Scholars have examined-with much skepticism-sites such as Colonial Williamsburg and other east coast institutions that tout the presence or recreation of authenticity. However, in Los Angeles, research into authenticity, while focusing on various forms of tourism, excludes heritage sites such as historic house museums. In this dissertation, I will argue that this absence in the literature is due to the city's reputation for being future focused. Additionally, the sites that have avoided the wrecking ball are primarily recognized for their artistic or architectural merits--emphasizing an advantage that artists' homes have when it comes to preservation in the area. To fill this gap, I will examine the concept of authenticity in the historic house museums of three artists in the Los Angele area: the Sam and Alfreda Maloof Foundation for the Arts and Crafts, the Eames House, and Will Rogers State Historic Park.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
American history
موضوع مستند نشده
Artist homes
موضوع مستند نشده
Authenticity
موضوع مستند نشده
House museums
موضوع مستند نشده
Los Angeles
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )