عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
TLpq304307882
زبان اثر
زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی
عنوان و نام پديدآور
عنوان اصلي
The meaning and cultural functions of non-Chinese musics in the eighteenth century Manchu court
نام عام مواد
[Thesis]
نام نخستين پديدآور
S.-W. Yu
نام ساير پديدآوران
R. C. Pian
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
Harvard University
تاریخ نشرو بخش و غیره
1996
مشخصات ظاهری
نام خاص و کميت اثر
274
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
Harvard University
امتياز متن
1996
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
The banquet music used in the Manchu court of eighteenth-century Qing dynasty China reflects how the Manchus viewed themselves as rulers of a Chinese-majority society. In an effort to explain how and why the Manchus adopted the Chinese traditions of banquet music, the dissertation traces the history of banquet music in the Chinese court, especially the use of non-Chinese musics (including dance) as a ritual with political overtones. Since taking over China in 1644, the Manchus emperors never ceased to be concerned with preservation of their cultural heritage. Facing the ongoing decline in their ability to uphold their cultural identity, the Manchus tried to standardize and codify their own history and customs (including that of the Mongols) by large-scale publication projects and regular performances of the Manchu dance and Mongolian ensembles within their Inner Asian circle, inside and outside the imperial court. The political and cultural ties between the Manchus and the Mongols had been close in the early history of the Manchu conquest of China. By revealing what had been changed in the Mongolian songs, the cultural and historical symbols the Manchus wanted to transmit through these songs become conspicuous. The central source for this dissertation is the 1746 Sequel houbian (XXX) to the music treatise Lu Lu Zheng Yi usd\langle\langleusdXXXXusd\rangle\rangleusd (1714). Together with a general survey of other Qing documents related to music and the history of the Manchus and the Mongols, the writer tries to present a picture of how the Manchus adapted the music and ritual of the Chinese and the Mongols, with a clear goal of reshaping a music-ritual system suited to in their own socio-political needs.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
banquet music
موضوع مستند نشده
China
موضوع مستند نشده
Communication and the arts
موضوع مستند نشده
Music
موضوع مستند نشده
Qing dynasty
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
R. C. Pian
مستند نام اشخاص تاييد نشده
S.-W. Yu
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب وضعیت انتشار
فرمت انتشار
p
اطلاعات رکورد کتابشناسی
نوع ماده
[Thesis]
کد کاربرگه
276903
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
