Mohammad Kibria's Calligraphic Modernism, 1950-1970
نام ساير پديدآوران
Khullar, Sonal
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
University of Washington
تاریخ نشرو بخش و غیره
2019
مشخصات ظاهری
نام خاص و کميت اثر
41
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
M.A.
کسي که مدرک را اعطا کرده
University of Washington
امتياز متن
2019
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This paper focuses on the works of Bangladeshi artist Mohammad Kibria, particularly those created between the 1950s and 1970s, the decades around the time in which the artist studied in Japan at the Tokyo University of Fine Arts and Music. In doing so, this paper examines how the network of artistic exchange between Bengal and Japan has persisted and transformed through periods of decolonization and independence. The paper situates Kibria's practice within the historical context of Pan-Asianism and engages more recent scholarship on calligraphic and global modernism. The paper proposes a reading of the artist's work that considers the shifting relationship between the artist and the nation-state in postcolonial Bengal, as well as the hazy distinction between word and image in calligraphic modernism.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Art history
موضوع مستند نشده
Asian studies
موضوع مستند نشده
Postcolonialism
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )