عنوان

Iranian Cinema in Transition:

شماره

TLpq2228850850

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Iranian Cinema in Transition:

نام عام مواد

[Thesis]

نام نخستين پديدآور

Mahdavifar, Mazyar

عنوان اصلي به قلم نويسنده ديگر

Relative Truth and Morality in Asghar Farhadi's Films

نام ساير پديدآوران

Lee, Nam

نام ناشر، پخش کننده و غيره

Chapman University

تاریخ نشرو بخش و غیره

2019

نام خاص و کميت اثر

48

جزئيات پايان نامه و نوع درجه آن

M.A.

کسي که مدرک را اعطا کرده

Chapman University

امتياز متن

2019

متن يادداشت

In addition to box office success, Iranian filmmaker Asghar Farhadi's films have achieved national and international critical acclaims. However, it is not only this rare achievement of critical and commercial success that sets Farhadi apart from other Iranian filmmakers, but also, his new approach to the issues of truth and morality which have been age-long themes in the history of Iranian art, literature, and cinema. Compared to his predecessors such as Abbas Kiarostami, Mohsen Makhmalbaf, and Jafar Panahi, Farhadi's viewpoint on these themes is distinctly secular. This thesis focuses on the significance of the change Farhadi's approach has brought on Iranian cinema by analyzing three of his critically acclaimed films, About Elly (2009), A Separation (2011), and The Salesman (2016). By creative use of narrative techniques such as narrative gaps and open endings and filmic techniques such as indirect-subjective point of view and handheld camera, Farhadi's films highlight the relativity of the concepts of truth and morality through a secular and modernist lens. Such an approach marks a shift in Iranian cinema which, in turn, indicates an ideological shift within the contemporary Iranian society as well.

موضوع مستند نشده

Film studies

موضوع مستند نشده

Middle Eastern Studies

مستند نام اشخاص تاييد نشده

Lee, Nam

مستند نام اشخاص تاييد نشده

Mahdavifar, Mazyar

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y