عنوان

Beyond unwanted sound :

شماره

TLets632388

عنوان اصلي

Beyond unwanted sound :

نام عام مواد

[Thesis]

نام نخستين پديدآور

Thompson, Marie Suzanne

عنوان اصلي به قلم نويسنده ديگر

noise, affect and aesthetic moralism

نام ناشر، پخش کننده و غيره

University of Newcastle Upon Tyne

تاریخ نشرو بخش و غیره

2014

جزئيات پايان نامه و نوع درجه آن

Ph.D.

کسي که مدرک را اعطا کرده

University of Newcastle Upon Tyne

امتياز متن

2014

متن يادداشت

This thesis uses Baruch Spinoza's notion of affect to critically rethink the correlation between noise, 'unwantedness' and 'badness'. Against subject-oriented definitions, which understand noise to be constituted by a listener; and object-oriented definitions, which define noise as a type of sound; I focus on what it is that noise does. Using the relational philosophy of Michel Serres in combination with Spinoza's philosophy of affects, I posit noise as a productive, transformative force and a necessary component of material relations. I consider the implications of this affective and relational model for two lineages: what I identify as a 'conservative' politics of silence, and a 'transgressive' politics of noise. The former is inherent to R. Murray Schafer's 'aesthetic moralism', where noise is construed as 'bad' to silence's 'good'. Instead, I argue that noise's 'badness' is secondary, relational and contingent. This ethico-affective understanding thus allows for silence that is felt to be destructive and noise that is pleasantly serendipitous. Noise's positively productive capacity can be readily exemplified by the use of noise within music, whereby noise is used to create new sonic sensations. An ethicoaffective approach also allows for an affirmative (re)conceptualization of noise music, which moves away from rhetoric of failure, taboo and contradiction. In developing a relational, ethico-affective approach to noise, this thesis facilitates a number of key conceptual shifts. Firstly, it serves to de-centre the listening subject. According to this definition, noise does not need to be heard as unwanted in order to exist; indeed, it need not be heard at all. Secondly, this definition no longer constitutes noise according to a series of hierarchical dualisms. Consequently, the structural oppositions of noise/signal, noise/silence and noise/music are disrupted. Finally, noise is understood to be ubiquitous and foundational, rather than secondary and contingent: it is inescapable, unavoidable and necessary.

مستند نام اشخاص تاييد نشده

Thompson, Marie Suzanne

مستند نام تنالگان تاييد نشده

University of Newcastle Upon Tyne

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y