عنوان

Performing Écriture Féminine :

شماره

TLets622018

عنوان اصلي

Performing Écriture Féminine :

نام عام مواد

[Thesis]

نام نخستين پديدآور

Berger, Cara Gabriele

عنوان اصلي به قلم نويسنده ديگر

strategies for a feminist politics of the postdramatic

نام ناشر، پخش کننده و غيره

University of Glasgow

تاریخ نشرو بخش و غیره

2014

جزئيات پايان نامه و نوع درجه آن

Ph.D.

کسي که مدرک را اعطا کرده

University of Glasgow

امتياز متن

2014

متن يادداشت

This thesis explores the relationship between postdramatic theatre and écriture féminine using a practice-as-research methodology. Its claim is that Hélène Cixous's écriture féminine is revitalised as a source for feminist theatre studies through the emergence of postdramatic theatre. The project's practice-led research identified and extracted principles from Cixous's prose writing that are especially compelling for theatre and explored these through laboratory practice. The primary sources for doing this were Cixous's novels Inside (1969) and The Book of Promethea (1983), as well as her writing on Clarice Lispector. The exploration of these materials was a creative and transformative activity that identified equivalent strategies between the two media - prose writing and theatre - while at the same time revealing significant differences and tensions. The practice is documented in the thesis via research logs and video evidence. The written reflection draws attention to the specific potentialities that theatre brings to écriture féminine and discusses how the outcomes of the practice-led research resonate with postdramatic aesthetics. While the research findings accumulated strategically across the series of three performances, and the performances built upon each other iteratively, each of the findings chapters focuses in detail on one aspect of the practice: specifically, semiotics, dramaturgy and feminine epistemology. By pinpointing and discussing nodal points at which postdramatic practices and écriture féminine intersect, this thesis aims to show that postdramatic theatre has the potential to be - and thus frequently is - feminine. Indeed, the overall aim of this thesis is to advance the emerging field of study of feminism in postdramatic theatre by exploring the feminine potential of postdramatic theatre and proposing that Cixous's écriture féminine offers a way of framing the poetics of postdramatic theatre in relation to feminist politics. The findings have potential utility for theatre-makers seeking a feminist method in the postdramatic as well as scholars of postdramatic theatre and feminism.

موضوع مستند نشده

PN2000 Dramatic representation. The Theater

مستند نام اشخاص تاييد نشده

Berger, Cara Gabriele

مستند نام تنالگان تاييد نشده

University of Glasgow

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y