A sociological analysis of the novels of Charles Dickens
نام عام مواد
[Thesis]
نام نخستين پديدآور
Brown, James
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
London School of Economics and Political Science (LSE)
تاریخ نشرو بخش و غیره
1977
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
London School of Economics and Political Science (LSE)
امتياز متن
1977
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This thesis argues that the reflection of society in Dickens's mature novels is not mechanical, passive or superficial but a creative, critical, and generalising reflection of the essential aspects of everyday social relations within Victorian industrial society, though this is mediated through both class values and literary conventions. The development of the mature novels' social vision from the episodic social criticism of specific abuses in the earlier fiction is related to changes in the social/economic climate of Victorian England and especially to the growth of urbanisation. Dickens's novelistic attitude to the mid-Victorian middle classes is explored in its full complexity, for although Dickens was lionised by a predominantly middle-class reading public and always wrote in accordance with middle-class standards of propriety and delicacy, and despite his utilisation of selected middle-class values as moral positives and structural organising agents within his novels, Dickens cannot be satisfactorily labelled as a 'bourgeois' writer or apologist. Indeed he uses the traditional entrepreneurial middle-class values (characteristic of an earlier stage of English capitalist development) to implicitly criticise the contemporary social/economic experience of the mid-Victorian middle-class itself, towards whom his novels are increasingly hostile. Dickens's complex and uneasy stand in mid-Victorian society resulted in many characteristic tensions and inconsistencies in his novels, and these are explored through a detailed analysis of five of the later novels. This reveals a characteristic lack of resolution between a tragic social vision and the demands of a 'happy' closed plot ending, the latter operating in a mutually reinforcing partnership with an organising framework of middle-class values to make novels which are critical and oppositional to Victorian capitalism acceptable to a middle-class reading public.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
HN Social history and conditions. Social problems. Social reform
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Brown, James
شناسه افزوده (تنالگان)
مستند نام تنالگان تاييد نشده
London School of Economics and Political Science (LSE)