governmentality, performativity & critique in contemporary art practice
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
Goldsmiths, University of London
تاریخ نشرو بخش و غیره
2006
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
Goldsmiths, University of London
امتياز متن
2006
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Via Foucault's notion of governmentality, the thesis examines the impact of privatisation on contemporary art practice and considers the implications for critique under such conditions. I take up Brian Wallis' link between governmentality and the use of government subsidy and regulation as means of social control. I consider the effects of bureaucratisation on publicly funded art in America during the Reagan/Bush era, and the implications for `alternative' practice as a mode of dissent. Via Foucault's notion of critique as inherently paradoxical, dependent on power and reflexive, I examine Miwon Kwon's observation of the politically motivated artist's complicity within art world power relations. Using the 1993 Whitney Biennial as a case study, I discuss how the reformist strategies of alternative practice conflict with notions of autonomy, resistance and dissent. In response to this situation, I discuss contemporary artist David Hammons; specifically, aspects of his practice that confuse the relation between the work, its documentation and dissemination. Hammons' practice relates to Hal Foster's proposal for reflexivity within critique, which I link to Judith Butler's notion of `the performative'. Does Hammons' modus operandi circumvent the pitfalls that Kwon outlines? In my art practice, I use photography, curating, publishing and writing as modes of production. A major concern has been the tenability of the artwork as a social document. I also explore the relation between high and low culture; as such, aspects of the `everyday' often feature within my practice. Current work examines the idea of urban municipal park as a type of utopia. To me, such parks are socially diverse - in terms of class, race, gender, age, physical ability, etc. Equally, the park is one of the few urban spaces where it is socially acceptable to stop, and do nothing. I propose the municipal park as an antidote to the frenetic, consumer-led city.
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )