عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
TLets427668
عنوان و نام پديدآور
عنوان اصلي
Narrative, spectacle, performance :
نام عام مواد
[Thesis]
نام نخستين پديدآور
Gregson, Stephen I.
عنوان اصلي به قلم نويسنده ديگر
a dramaturgical investigation into the relationship between an aesthetic event and the social world in rock and pop culture
نام ساير پديدآوران
Tulloch, J.
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
Brunel University
تاریخ نشرو بخش و غیره
2006
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
Brunel University
امتياز متن
2006
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
On 2 July 2005, the Saturday before a summit of world leaders at Gleaneagles in Scotland, Live8 took place. Organised by Bob Geldof, the event brought together many high profile rock and pop performers to highlight the extreme famine conditions in Africa. Live8, however, was purportedly not in the business of promoting new albums, selling a range of merchandise or even raising charitable funds: indeed, tickets for the Live8 concerts were free. Rather, the event was intended to lead on to a rally in Edinburgh, forty miles from Gleneagles, calling on the summit attendees to cancel debt, double aid packages and remove trade barriers which hinder sustainable development on the African continent. As such, Live8 represents a strategic intent by rock and pop culture to 'engineer' a flow from the concert platform into the everyday. Conscious of the issues Live8 raises, this project looks at the different kinds of aesthetic event, from the contingent to the 'pre-scripted', which have over time become a feature of rock and pop culture. Through three distinctive case studies, whose subjects encompass both performers and their fan culture, concepts of narrative, spectacle and performance are discussed in order to understand, from a dramaturgical perspective, how rock and pop culture deals with representational schisms, particularly where the social world is implicated, and the role an aesthetic event (often a rock or pop concert) plays in the course of redress. Eschewing the limitations of musicology and media studies, which have often beset earlier investigations into rock and pop culture, this project's overarching objective is to offer innovative thinking about the evolving state of the relationship it can, and does, facilitate between the 'staged' and the everyday.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Anthropology
موضوع مستند نشده
Ethnology
موضوع مستند نشده
Folklore
موضوع مستند نشده
Social Sciences
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Gregson, Stephen I.
نام شخص - ( مسئولیت معنوی درجه دوم )
مستند نام اشخاص تاييد نشده
Tulloch, J.
شناسه افزوده (تنالگان)
مستند نام تنالگان تاييد نشده
Brunel University
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب وضعیت انتشار
فرمت انتشار
p
اطلاعات رکورد کتابشناسی
نوع ماده
[Thesis]
کد کاربرگه
276903
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
