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عنوان
G. I. Gurdjieff's Piano Music and Its Application in and outside "The Work"

پدید آورنده
Johanna J. M. Petsche

موضوع
Art History,Comparative Religion & Religious Studies,esoteric practice,G. I. Gurdjieff,History,music,Religious Studies,the Work,Thomas de Hartmann

رده

کتابخانه
مرکز و کتابخانه مطالعات اسلامی به زبان‌های اروپایی

محل استقرار
استان: قم ـ شهر: قم

مرکز و کتابخانه مطالعات اسلامی به زبان‌های اروپایی

تماس با کتابخانه : 32910706-025

شماره کتابشناسی ملی

شماره
LA125481

زبان اثر

زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی

عنوان و نام پديدآور

عنوان اصلي
G. I. Gurdjieff's Piano Music and Its Application in and outside "The Work"
نام عام مواد
[Article]
نام نخستين پديدآور
Johanna J. M. Petsche

وضعیت نشر و پخش و غیره

محل نشرو پخش و غیره
Leiden
نام ناشر، پخش کننده و غيره
Brill

یادداشتهای مربوط به خلاصه یا چکیده

متن يادداشت
Gurdjieff (c. 1866-1949) wrote a diverse collection of piano pieces at his "Institute for the Harmonious Development of Man" at the Chateau du Prieuré d' Avon at Fontainebleau near Paris in a unique collaboration with pupil Thomas de Hartmann, a Ukrainian composer. This music was composed most intensely between the years 1925 and 1927, after Gurdjieff's near-fatal car accident of 1924 when all work on his "Movements" or "sacred dances" had ceased. Thus this music was not written for the Movements but for other spiritual purposes. Gurdjieff would whistle, sing, and tap Eastern-sounding melodies and rhythms, and de Hartmann was required to immediately transform these indications into written Western notation, adding suitable harmonies. Like Gurdjieff's teaching overall, the piano music is best described as a blending of Eastern and Western elements. In Gurdjieff's lifetime this music was not published or recorded, and was mostly performed within his circle of pupils, as is appropriate within an initiatory and personally transmitted spiritual teaching. This article explores the Gurdjieff-de Hartmann music and its relationship to Gurdjieff's overall esoteric teachings. There will also be an examination of how Gurdjieff groups and musicians continue to keep alive this music today, and it will be shown that the large number of recordings released represent its greatest cultural penetration into wider society. Currently hundreds of these recordings are available though, interestingly, most "Work" members are critical of them, arguing that the music only has value when experienced live and in a Work context. Gurdjieff (c. 1866-1949) wrote a diverse collection of piano pieces at his "Institute for the Harmonious Development of Man" at the Chateau du Prieuré d' Avon at Fontainebleau near Paris in a unique collaboration with pupil Thomas de Hartmann, a Ukrainian composer. This music was composed most intensely between the years 1925 and 1927, after Gurdjieff's near-fatal car accident of 1924 when all work on his "Movements" or "sacred dances" had ceased. Thus this music was not written for the Movements but for other spiritual purposes. Gurdjieff would whistle, sing, and tap Eastern-sounding melodies and rhythms, and de Hartmann was required to immediately transform these indications into written Western notation, adding suitable harmonies. Like Gurdjieff's teaching overall, the piano music is best described as a blending of Eastern and Western elements. In Gurdjieff's lifetime this music was not published or recorded, and was mostly performed within his circle of pupils, as is appropriate within an initiatory and personally transmitted spiritual teaching. This article explores the Gurdjieff-de Hartmann music and its relationship to Gurdjieff's overall esoteric teachings. There will also be an examination of how Gurdjieff groups and musicians continue to keep alive this music today, and it will be shown that the large number of recordings released represent its greatest cultural penetration into wider society. Currently hundreds of these recordings are available though, interestingly, most "Work" members are critical of them, arguing that the music only has value when experienced live and in a Work context.

مجموعه

تاريخ نشر
2017
توصيف ظاهري
70-95
عنوان
Religion and the Arts
شماره جلد
21/1-2
شماره استاندارد بين المللي پياييندها
1568-5292

اصطلاحهای موضوعی کنترل نشده

اصطلاح موضوعی
Art History
اصطلاح موضوعی
Comparative Religion & Religious Studies
اصطلاح موضوعی
esoteric practice
اصطلاح موضوعی
G. I. Gurdjieff
اصطلاح موضوعی
History
اصطلاح موضوعی
music
اصطلاح موضوعی
Religious Studies
اصطلاح موضوعی
the Work
اصطلاح موضوعی
Thomas de Hartmann

نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )

مستند نام اشخاص تاييد نشده
Johanna J. M. Petsche

شماره دستیابی

شماره بازیابی
10.1163/15685292-02101003

دسترسی و محل الکترونیکی

نام الکترونيکي
 مطالعه متن کتاب 

وضعیت انتشار

فرمت انتشار
p

اطلاعات رکورد کتابشناسی

نوع ماده
[Article]
کد کاربرگه
275578

اطلاعات دسترسی رکورد

سطح دسترسي
a
تكميل شده
Y

پیشنهاد / گزارش اشکال

اخطار! اطلاعات را با دقت وارد کنید
ارسال انصراف
این پایگاه با مشارکت موسسه علمی - فرهنگی دارالحدیث و مرکز تحقیقات کامپیوتری علوم اسلامی (نور) اداره می شود
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