The essay enquires into what is accepted in academic and political circles as 'post-colonial' reality and questions some of the assumptions about its imagination, narratives, and edifices. It does this through the lens of moments taken from lived 'post-coloniality', mostly out of Kenya, which, like most 'independent nations' presumed a cut-off point between 'colonial' and its 'post' in the solemn ritual act of swapping flags one midnight. That the world, its presumptions and assumptions, certainly regarding civilizational apotheosis, is today in a state of befuddlement is no mystery. What is mysterious is the persistence of hollow ideas of the character of relationships among peoples, and the distribution of terminologies to refer to these-first world, third world, developed, undeveloped, colonial, post-colonial, neo-colonial, immigrant, expatriate-in a time when these neither make sense nor offer anything meaningful to the world. The essay finally retreats to the 'autopsy table' for inspiration: it imagines that the contradictions and confusions of the present era could also be read as an invitation to humanity to 'look at itself again and really see', and to, perhaps, this time, do so with that long-absent courage, truthfulness and humility that speak to human realities and allows for an examination of debris from unexplored past and present relationships that now disorder the human future. The essay enquires into what is accepted in academic and political circles as 'post-colonial' reality and questions some of the assumptions about its imagination, narratives, and edifices. It does this through the lens of moments taken from lived 'post-coloniality', mostly out of Kenya, which, like most 'independent nations' presumed a cut-off point between 'colonial' and its 'post' in the solemn ritual act of swapping flags one midnight. That the world, its presumptions and assumptions, certainly regarding civilizational apotheosis, is today in a state of befuddlement is no mystery. What is mysterious is the persistence of hollow ideas of the character of relationships among peoples, and the distribution of terminologies to refer to these-first world, third world, developed, undeveloped, colonial, post-colonial, neo-colonial, immigrant, expatriate-in a time when these neither make sense nor offer anything meaningful to the world. The essay finally retreats to the 'autopsy table' for inspiration: it imagines that the contradictions and confusions of the present era could also be read as an invitation to humanity to 'look at itself again and really see', and to, perhaps, this time, do so with that long-absent courage, truthfulness and humility that speak to human realities and allows for an examination of debris from unexplored past and present relationships that now disorder the human future.
مجموعه
تاريخ نشر
2018
توصيف ظاهري
13-27
عنوان
Matatu
شماره جلد
50/1
شماره استاندارد بين المللي پياييندها
1875-7421
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
African Studies
اصطلاح موضوعی
colonialism
اصطلاح موضوعی
Comparative Studies & World Literature
اصطلاح موضوعی
Criticism & Theory
اصطلاح موضوعی
Cultural History
اصطلاح موضوعی
historical metafiction
اصطلاح موضوعی
Kenya
اصطلاح موضوعی
Literature & Culture
اصطلاح موضوعی
Literature and Cultural Studies
اصطلاح موضوعی
Postcolonial Literature & Culture
اصطلاح موضوعی
postcolonialism
اصطلاح موضوعی
ruins
اصطلاح موضوعی
stories
اصطلاح موضوعی
the body
اصطلاح موضوعی
violence
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )