"Yes, interesting," said someone from the audience, the first time I presented on dramatic networks; "but, as a mathematician, I feel I only understand something if I know how to 'make' it. So: how do you make a dramatic network? What elements does it need, what rules, what stages?" At the time, I had no idea how to respond; in a discipline like ours, where the objects of study are emphatically given - passed on with care, and often with reverence, from generation to generation - the idea of "making" Hamlet sounded half absurd, half sacrilegious. But that's exactly my object here: neither real plays, nor even the networks that can be extracted from them, but their "simulations" instead. "Yes, interesting," said someone from the audience, the first time I presented on dramatic networks; "but, as a mathematician, I feel I only understand something if I know how to 'make' it. So: how do you make a dramatic network? What elements does it need, what rules, what stages?" At the time, I had no idea how to respond; in a discipline like ours, where the objects of study are emphatically given - passed on with care, and often with reverence, from generation to generation - the idea of "making" Hamlet sounded half absurd, half sacrilegious. But that's exactly my object here: neither real plays, nor even the networks that can be extracted from them, but their "simulations" instead.
مجموعه
تاريخ نشر
2020
توصيف ظاهري
24-44
عنوان
Journal of World Literature
شماره جلد
6/1
شماره استاندارد بين المللي پياييندها
2405-6480
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
morphology
اصطلاح موضوعی
networks
اصطلاح موضوعی
simulation
اصطلاح موضوعی
tragedy
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )