This article situates the nineteenth-century Urdu writer Nazir Ahmad's Chand Pand as a piece of advice literature on an Arabic-Persian continuum, and equally a text of its time and place. Linguistic features of its discourse show that, as a self-conscious performance of the possibilities of Urdu, it imparts culturally resonant ways of inhabiting a multifarious world, and inscribes an expansive and inclusive view of culture. In particular, the narrative organization of the focal section "A Brief Account of the World" is strongly evocative of a conceptual organization of the world by concentric circles that is comparable to the view of human sociality invoked by the tenth-eleventh century Persian ethicist Miskawayh and illuminates the location of Nazir Ahmad's text in the continuum of ethics (akhlaq) literature. At the same time, beside these signs of literary cosmopolitanism, I argue that Nazir Ahmad's account of the world stakes a claim for the irreducible particularity of places and their associated textures of life, and offers a view of the world that supports "place-based thinking or imagination" (Dirlik) as opposed to the potentially obfuscating abstraction of globalized "space." This article situates the nineteenth-century Urdu writer Nazir Ahmad's Chand Pand as a piece of advice literature on an Arabic-Persian continuum, and equally a text of its time and place. Linguistic features of its discourse show that, as a self-conscious performance of the possibilities of Urdu, it imparts culturally resonant ways of inhabiting a multifarious world, and inscribes an expansive and inclusive view of culture. In particular, the narrative organization of the focal section "A Brief Account of the World" is strongly evocative of a conceptual organization of the world by concentric circles that is comparable to the view of human sociality invoked by the tenth-eleventh century Persian ethicist Miskawayh and illuminates the location of Nazir Ahmad's text in the continuum of ethics (akhlaq) literature. At the same time, beside these signs of literary cosmopolitanism, I argue that Nazir Ahmad's account of the world stakes a claim for the irreducible particularity of places and their associated textures of life, and offers a view of the world that supports "place-based thinking or imagination" (Dirlik) as opposed to the potentially obfuscating abstraction of globalized "space."
مجموعه
تاريخ نشر
2019
توصيف ظاهري
169-187
عنوان
Journal of World Literature
شماره جلد
4/2
شماره استاندارد بين المللي پياييندها
2405-6480
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Advice Literature
اصطلاح موضوعی
akhlaq
اصطلاح موضوعی
multilingual
اصطلاح موضوعی
place
اصطلاح موضوعی
textbook
اصطلاح موضوعی
the nineteenth century
اصطلاح موضوعی
Urdu
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )