This essay starts from the premise that ghost stories of the late 19th and 20th centuries often engaged the same issues as older 'gnostic' treatises did (taking a particular line from Emanuel Swedenborg), but had the advantage of being able to describe encounters between humans and higher entities far more vividly than the treatises, and the corollary advantage of suggesting new ramifications of such encounters. It focuses on how such stories explore the possibility that, through encounters with higher entities who emerge as negative, protagonists discover that the divine world is either corrupt and ill-intended or (worse) completely meaningless. The first case, Arthur Machen's The Great God Pan (1890), is contextualized not only within contemporary reactions to Darwin's theories of evolution (developing Adrian Eckersley's study) but also contemporary conceptualizations of the debt that modern civilization owed to ancient Greece and Rome. The second examines how H.P. Lovecraft developed Machen's ideas in 'The Dunwich Horror' (1929), where mastery of ancient languages unleashes horror. The third case, Peter Straub's Ghost Story (1979)-an homage to Lovecraft and Machen-delivers an even darker 'gnostic' message: entities whom we assume to have purposes (even if dark purposes) have none at all; only the well-skilled narrative can bring them into order and save himself from perdition.
مجموعه
تاريخ نشر
2016
توصيف ظاهري
218-233
عنوان
Gnosis: Journal of Gnostic Studies
شماره جلد
1/1-2
شماره استاندارد بين المللي پياييندها
2451-859X
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Arthur Machen
اصطلاح موضوعی
Biblical Studies
اصطلاح موضوعی
ghost-story
اصطلاح موضوعی
Gnosticism & Manichaeism
اصطلاح موضوعی
H.P. Lovecraft
اصطلاح موضوعی
Pan
اصطلاح موضوعی
Peter Straub
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )