عنوان

Christian Anxiety and 'Saracen' Resistance in Domestic Spaces: The Unfulfilled Imperialist Narrative in Bevis of Hampton, Emaré, and Chaucer's Man of Law's Tale

شماره

TL57966

زبان متن نوشتاري يا گفتاري و مانند آن

انگلیسی

عنوان اصلي

Christian Anxiety and 'Saracen' Resistance in Domestic Spaces: The Unfulfilled Imperialist Narrative in Bevis of Hampton, Emaré, and Chaucer's Man of Law's Tale

نام عام مواد

[Thesis]

نام نخستين پديدآور

Nguyen, Tania

نام ساير پديدآوران

Van Dussen, Michael

نام ناشر، پخش کننده و غيره

McGill University (Canada)

تاریخ نشرو بخش و غیره

2020

متن يادداشت

93 p.

جزئيات پايان نامه و نوع درجه آن

M.A.

کسي که مدرک را اعطا کرده

McGill University (Canada)

امتياز متن

2020

متن يادداشت

The "Saracen" is an archetypal figure recurrent in medieval romance who often functions as a vehicle for political ends. Christian authors commonly depicted Saracens either as willing converts to Christianity, emulative doubles, or morally degenerate monsters. The medieval romances Bevis of Hampton, Emaré (both anonymously written), and Chaucer's Man of Law's Tale, all employ similar rhetorical strategies in their depictions of the Saracen figure. While many of these attempts sought to confine the Saracen to a Christian cosmos, the Saracen escapes this containment and instead becomes a reflection of racial anxieties in Christian culture. These anxieties, manifested in Saracen differences from Christians in the domestic realm, mark as myth the textual narrative of Christian superiority over Islam.

اصطلاح موضوعی

Actor-network theory

اصطلاح موضوعی

Islam

اصطلاح موضوعی

Middle Ages

اصطلاح موضوعی

Middle English

اصطلاح موضوعی

Orientalism

مستند نام اشخاص تاييد نشده

Nguyen, Tania

مستند نام اشخاص تاييد نشده

Van Dussen, Michael

مستند نام تنالگان تاييد نشده

McGill University (Canada)

نام الکترونيکي

فرمت انتشار

p

نوع ماده

[Thesis]

کد کاربرگه

276903

سطح دسترسي

a

تكميل شده

Y