عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
شماره کتابشناسی ملی
شماره
TL53421
زبان اثر
زبان متن نوشتاري يا گفتاري و مانند آن
انگلیسی
عنوان و نام پديدآور
عنوان اصلي
'Abd Al-Ḥalīm Ḥāfiẓ and Egyptian National Culture
نام عام مواد
[Thesis]
نام نخستين پديدآور
Mangialardi, Nicholas Rocco
نام ساير پديدآوران
Colla, Elliott
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
Georgetown University
تاریخ نشرو بخش و غیره
2020
يادداشت کلی
متن يادداشت
336 p.
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
Georgetown University
امتياز متن
2020
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This dissertation is a study of twentieth-century Egypt and the role that popular music plays in constructing the modern nation, a process I examine through the lens of the famous singer 'Abd al-Ḥalīm Ḥāfiẓ (1929-1977). Scholars of the Arab world have discussed the importance of music and musical heritage in forming national identity. However, most research adopts a conventional discourse that frames Arab musical heritage, or turāth, as an ancient and enduring body of songs and practices that has remained unchanged up to today. My study illustrates that, in Egypt, this heritage was mostly of recent invention, emerging as the new nation sought to create a past upon which it would construct its modern identity. While 'Abd al-Ḥalīm's music rejected the notion of continuity promoted by the state in its heritage ideology, he too contributed to inventing a musical past. The difference, I argue, was that Ḥalīm's songs made Egyptians feel the past in ways that the state's musical heritage did not, thus threatening to reveal the irrelevance of official ideology and the nation-building project. I contend that 'Abd al-Ḥalīm's music offered Egyptians an alternative way of hearing and feeling the modern nation. Using literary and musical analysis, public and private archival sources, and ethnographic work, I explore the gap that emerged between establishment discourse and everyday experience in mid-twentieth-century Egypt. I examine a number of highly popular and highly controversial songs, focusing on sound, affect, and embodied experience to suggest a new narrative of how Egyptians constructed modern identities and imagined the nation.
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Middle Eastern literature
اصطلاح موضوعی
Middle Eastern studies
اصطلاح موضوعی
Music
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )
مستند نام اشخاص تاييد نشده
Mangialardi, Nicholas Rocco
نام شخص - ( مسئولیت معنوی درجه دوم )
مستند نام اشخاص تاييد نشده
Colla, Elliott
شناسه افزوده (تنالگان)
مستند نام تنالگان تاييد نشده
Georgetown University
دسترسی و محل الکترونیکی
نام الکترونيکي
مطالعه متن کتاب وضعیت انتشار
فرمت انتشار
p
اطلاعات رکورد کتابشناسی
نوع ماده
[Thesis]
کد کاربرگه
276903
اطلاعات دسترسی رکورد
سطح دسترسي
a
تكميل شده
Y
