Underground Labyrinths: Woman and Expanded Cinema in Contemporary Iran
نام عام مواد
[Thesis]
نام نخستين پديدآور
Kazemimanesh, Sara
نام ساير پديدآوران
Schlumpf, Erin
وضعیت نشر و پخش و غیره
نام ناشر، پخش کننده و غيره
Ohio University
تاریخ نشرو بخش و غیره
2019
يادداشت کلی
متن يادداشت
336 p.
یادداشتهای مربوط به پایان نامه ها
جزئيات پايان نامه و نوع درجه آن
Ph.D.
کسي که مدرک را اعطا کرده
Ohio University
امتياز متن
2019
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This dissertation is a historiographic intervention in the prevailing canon of experimental cinema, and more specifically the history of Iranian cinema. I utilize expanded cinema as an inclusive term that reconciles critical discourses about avant-garde and expanded art practice with experimental and underground film. By investigating the emergence and evolution of expanded cinema in Iran, I posit it as a counter-force to the patriarchal traditions of hierarchy and exclusion that dominate cinema and other cultural spheres in the Islamic Republic. Additionally, I argue that the subjective agency of contemporary Iranian artists, particularly women like Newsha Tavakolian (b. 1981) and Nastaran Safaei (b. 1984), has initiated a new feminist discourse that boldly tackles issues related to gender, identity, and body politics.
اصطلاحهای موضوعی کنترل نشده
اصطلاح موضوعی
Film studies
اصطلاح موضوعی
Middle Eastern studies
اصطلاح موضوعی
Womens studies
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )