یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Literature and biopolitics -- Waking to global modernity: the classical tale in the late Qing -- When mimosa blossoms: blockage of male desire in Yu Dafu and Zhang Xianliang -- Body writing: beauty writers at the turn of the twenty-first century -- Art: from the national to the diasporic -- The naked body politic in postsocialist China and the Chinese diaspora -- "Beautiful violence": war, peace, globalization -- Sinophone cinema and postsocialist television -- Hollywood, China, Hong Kong: representing the Chinese nation-state in filmic discourse -- History, memory, nostalgia: rewriting socialism in film and television drama -- Dialect and modernity in twenty-first-century sinophone cinema -- Cityscape in multimedia -- Tear down the city: reconstructing urban space in cinema, photography, video -- Historical conclusion: Chinese modernity and the capitalist world-system -- Postscript: answering the question, what is Chinese postsocialism?
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This ambitious work is a multimedia, interdisciplinary study of Chinese modernity in the context of globalization from the late nineteenth century to the present. Sheldon Lu draws on Chinese literature, film, art, photography, and video to broadly map the emergence of modern China in relation to the capitalist world-system in the economic, social, and political realms. Central to his study is the investigation of biopower and body politics, namely, the experience of globalization on a personal level. Lu first outlines the trajectory of the body in modern Chinese literature by focusing on the adventures, pleasures, and sufferings of the male (and female) body in the writings of selected authors. He then turns to avant-garde and performance art, tackling the physical self more directly through a consideration of work that takes the body as its very theme, material, and medium. In an exploration of mass visual culture, Lu analyzes artistic reactions to the multiple, uneven effects of globalization and modernization on both the physical landscape of China and the interior psyche of its citizens. This is followed by an inquiry into contemporary Chinese urban space in popular cinema and experimental photography and art. Examples are offered that capture the daily lives of contemporary Chinese as they struggle to make the transition from the vanishing space of the socialist lifestyle to the new capitalist economy of commodities. Lu reexamines the history and implications of China's belated integration into the capitalist world system before closing with a postscript that traces the genealogy of the term "postsocialism" and points to the real relevance of the idea for the investigation of everyday life in China in the twenty-first century.
یادداشتهای مربوط به نیازمندی های سیستم (منابع الکترونیک)و جزئیات فنی
متن يادداشت
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
JSTOR
شماره انبار
22573/ctt62t827
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Chinese modernity and global biopolitics.
شماره استاندارد بين المللي کتاب و موسيقي
082483111X
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Biopolitics.
موضوع مستند نشده
Popular culture-- China.
موضوع مستند نشده
Postmodernism.
موضوع مستند نشده
Biopolitics.
موضوع مستند نشده
PHILOSOPHY-- Eastern.
موضوع مستند نشده
Popular culture.
موضوع مستند نشده
Postmodernism.
موضوع مستند نشده
SCIENCE-- Philosophy & Social Aspects.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
China.
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
PHI-- 003000
موضوع مستند نشده
SCI075000
موضوع مستند نشده
SOC022000
رده بندی ديویی
شماره
181/
.
11
ويراست
22
رده بندی کنگره
شماره رده
B831
.
2
نشانه اثر
.
L82
2007eb
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )