یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 108-111) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
The compositional history of the Fantasie -- 'What's in a name?' Genre and title in the Fantasie -- Allusion and quotation in the Fantasie -- Form in the first movement -- Schlegel's leiser Ton and thematic unity in the Fantasie -- Form in the second and third movements -- The subsequent history of the Fantasie.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
Schumann's Fantasie, Op. 17 is one of the finest examples of Romantic piano music. In a rounded picture of this major keyboard work, Nicholas Marston first traces the fascinating history of its composition, drawing on many of Schumann's letters to Clara Wieck and to his publisher, and examining the few surviving sketches: To whom was the work really dedicated? Was the celebrated opening movement perhaps intended as an independent composition? Schumann's own critical writings provide vital insights into his ideas on genre and the relationship between the Fantasie and the many generic and descriptive titles that the composer gave the work before publication. Every aspect of the work is covered, providing the performer, the listener or the student with an understanding not only of the Fantasie, but of Schumann himself as a composer. --Publisher description.