یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Filmography: pages 211-215.
متن يادداشت
Includes bibliographical references (pages 221-239) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Screening homosexuality -- The burden of representation : Ang Lee's The wedding banquet -- The uses of femininity : Chen Kaige's Farewell my concubine and Zhang Yuan's East palace, west palace -- Travelling sexualities : Wong Kar-wai's Happy together -- Confessing desire : the poetics of Tsai Ming-liang's queer cinema -- Fragments of darkness : Stanley Kwan as gay director.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
"Without question, Song Hwee Lim has presented us with an exemplar of quality scholarship in the study of contemporary Chinese cinemas. By combining an impressive command of Chinese and Western literary as well as film source materials with a sophisticated mode of analysis and an unassuming argumentative style, he has authored an exhilarating book--one that not only treats cinematic representations of male homosexuality with great sensitivity but also demonstrates what it means to read with critical intelligence and vision."--Rey Chow, Andrew W. Mellon Professor of the Humanities, Brown University"Celluloid Comrades is a timely demonstration of the importance of queer studies in the field of transnational Chinese cinemas. Lim dissects gay sexuality in selective Chinese-language films, and vigorously contests commonly accepted critical paradigms and theoretical models. Readers will find a provocative, powerful voice in this new book."--Sheldon H. Lu, Professor of Comparative Literature, University of California at DavisCelluloid Comrades offers a cogent analytical introduction to the representation of male homosexuality in Chinese cinemas within the last decade. It posits that representations of male homosexuality in Chinese film have been polyphonic and multifarious, posing a challenge to monolithic and essentialized constructions of both 'Chineseness' and 'homosexuality.' Given the artistic achievement and popularity of the films discussed here, the position of 'celluloid comrades' can no longer be ignored within both transnational Chinese and global queer cinemas. The book also challenges readers to reconceptualize these works in relation to global issues such as homosexuality and gay and lesbian politics, and their interaction with local conditions, agents, and audiences. Tracing the engendering conditions within the film industries of China, Taiwan, and Hong Kong, Song Hwee Lim argues that the emergence of Chinese cinemas in the international scene since the 1980s created a public sphere in which representations of marginal sexualities could flourish in its interstices. Examining the politics of representation in the age of multiculturalism through debates about the films, Lim calls for a rethinking of the limits and hegemony of gay liberationist discourse prevalent in current scholarship and film criticism. He provides in-depth analyses of key films and auteurs, reading them within contexts as varied as premodern, transgender practice in Chinese theater to postmodern, diasporic forms of sexualities. Informed by cultural and postcolonial studies and critical theory, this acutely observed and theoretically sophisticated work will be of interest to a wide range of scholars and students as well as general readers looking for a deeper understanding of contemporary Chinese cultural politics, cinematic representations, and queer culture.
یادداشتهای مربوط به نیازمندی های سیستم (منابع الکترونیک)و جزئیات فنی
متن يادداشت
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
JSTOR
شماره انبار
22573/ctt62tngz
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Celluloid comrades.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Male homosexuality in motion pictures.
موضوع مستند نشده
Motion pictures-- China-- History.
موضوع مستند نشده
Cinéma-- Chine-- Histoire.
موضوع مستند نشده
Homosexualité masculine au cinéma.
موضوع مستند نشده
Film.
موضوع مستند نشده
Homosexualität
موضوع مستند نشده
Male homosexuality in motion pictures.
موضوع مستند نشده
Mann.
موضوع مستند نشده
Motion pictures.
موضوع مستند نشده
PERFORMING ARTS-- Film & Video-- Reference.
موضوع مستند نشده
SOCIAL SCIENCE-- Gay Studies.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
China.
موضوع مستند نشده
China.
بدون عنوان
7
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
HIS008000
موضوع مستند نشده
PER-- 004040
موضوع مستند نشده
PER004000
موضوع مستند نشده
SOC012000
رده بندی ديویی
شماره
791
.
43/6526642
ويراست
22
رده بندی کنگره
شماره رده
PN1995
.
9
.
H55
نشانه اثر
L56
2006eb
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )