یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 213-233) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
COPYRIGHT; CONTENTS; PREFACE; Part I Introductory Worlds; 1 'KEEP IT DARK'; 2 IN THEATRE; Part II Commitment; 3 GOOD FRIDAY, 1513; 4 'THE DOUBLE-ARMED MAN'; Part III Shakespeare and the Wars; 5 'WE BAND OF BROTHERS'; 6 THE EXIT STRATEGY; Part IV Refusal; 7 GENTLER CRAFTS; 8 BEYOND HISTORY; 9 THE ABANDONED SOLDIER; BIBLIOGRAPHY AND FURTHER READING; INDEX.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
This original study explores a vital aspect of early modern cultural history: the way that warfare is represented in the theatre of Shakespeare and his contemporaries. The book contrasts the Tudor and Stuart prose that called for the establishment of a standing army in the name of nation, discipline and subjectivity, and the drama of the period that invited critique of this imperative. Barker examines contemporary dramatic texts both for their radical position on war and, in the case of the later drama, for their subversive commentary on an emerging idealisation of Shakespeare and his work. The book argues that the early modern period saw the establishment of political, social and theological attitudes to war that were to become accepted as natural in succeeding centuries. Barker's reading of the drama of the period reveals the discontinuities in this project as a way of commenting on the use of the past within modern warfare. The book is also a survey and analysis of literary theory over the last twenty-five years in relation to the issue of early modern war - and develops an argument about the study of literature and war in general. Key Features Interdisciplinary approach addressing the early-modern period as one of particular importance in the history of warfare Examines the way that the period helped shape modern attitudes to war Sets Shakespeare in the context of those dramatists who preceded him, as well as his contemporaries and successors Surveys the work of the past and considers the future of criticism in relation to warfare
یادداشتهای مربوط به نیازمندی های سیستم (منابع الکترونیک)و جزئیات فنی
متن يادداشت
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
JSTOR
شماره انبار
22573/cttk23pr
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
War and nation in the theatre of Shakespeare and his contemporaries.
عنوان اصلی به زبان دیگر
عنوان اصلي به زبان ديگر
War and nation in the theater of Shakespeare and his contemporaries
نام شخص به منزله موضوع
موضوع مستند نشده
Shakespeare, William,1564-1616-- Criticism and interpretation.
موضوع مستند نشده
Shakespeare, William, 1564-1616
موضوع مستند نشده
Shakespeare, William,1564-1616.
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
English drama-- Early modern and Elizabethan, 1500-1600-- History and criticism.
موضوع مستند نشده
Military art and science in literature.
موضوع مستند نشده
Nationalism in literature.
موضوع مستند نشده
War in literature.
موضوع مستند نشده
Drama
موضوع مستند نشده
DRAMA-- English, Irish, Scottish, Welsh.
موضوع مستند نشده
DRAMA-- Shakespeare.
موضوع مستند نشده
English drama-- Early modern and Elizabethan.
موضوع مستند نشده
Krieg
موضوع مستند نشده
Military art and science in literature.
موضوع مستند نشده
Nationalism in literature.
موضوع مستند نشده
War in literature.
مقوله موضوعی
موضوع مستند نشده
CSGD1
موضوع مستند نشده
DRA-- 003000
موضوع مستند نشده
DRA010000
رده بندی ديویی
شماره
822
.
309358
ويراست
22
رده بندی کنگره
شماره رده
PR3069
.
W37
نشانه اثر
B37
2007
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )