Studies of the Weatherhead East Asian Institute, Columbia University
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 245-265) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
1. Rhetorics of territory, mixture, and displacement -- 2. From street names to brand names : the grid of reference -- 3. Synchronized reading : installment aesthetics and the formation of the mediasphere -- 4. Desire industries : constant motion and endless narrative -- 5. Brokers, authors, "Shanghai people" -- 6. Marxists and modern girls : Shanghai fiction and the 1930s -- 7. Lineages of the contemporary and the nostalgic -- Epilogue : Shanghai 2000.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
For many in the west, "Shanghai" is the quintessence of East Asian modernity, whether imagined as glamorous and exciting, corrupt and impoverishing, or a complex synthesis of the good, the bad, and the ugly. How did "Shanghai" acquire this power? How did people across China and around the world decide that Shanghai was the place to be?Mediasphere Shanghai shows that partial answers to these questions can be found in the products of Shanghai's media industry, particularly the Shanghai novel, a distinctive genre of installment fiction that flourished from the 1890s to the 1930s. Shanghai fiction supplies not only the imagery that we now consider typical of the city, but, more significantly, the very forms--simultaneity, interruption, mediation, and excess--through which the city could be experienced as a business and entertainment center and envisioned as the focal point of a mediasphere with a national and transnational reach. Existing paradigms of Shanghai culture tend to explain the city's distinctive literary and visual aesthetics as merely the predictable result of economic conditions and social processes, but Alexander Des Forges maintains that literary texts and other cultural products themselves constitute a conceptual foundation for the city and construct the frame through which it is perceived. Working from a wide range of sources, including installment fiction, photographs, lithographic illustrations, maps, guidebooks, newspapers, and film, Des Forges demonstrates the significant social effects of aesthetic forms and practices. Mediasphere Shanghai offers a new perspective on the cultural history of the city and on the literature and culture of modern China in general.
یادداشتهای مربوط به نیازمندی های سیستم (منابع الکترونیک)و جزئیات فنی
متن يادداشت
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
JSTOR
شماره انبار
22573/ctt1366dbj
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Mediasphere Shanghai.
شماره استاندارد بين المللي کتاب و موسيقي
0824830814
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Alltagskultur
موضوع مستند نشده
ART-- Performance.
موضوع مستند نشده
ART-- Reference.
موضوع مستند نشده
East Asia.
موضوع مستند نشده
History & Archaeology.
موضوع مستند نشده
HISTORY-- Asia-- China.
موضوع مستند نشده
Kultur
موضوع مستند نشده
Kunstproduktion
موضوع مستند نشده
Literaturproduktion
موضوع مستند نشده
Regions & Countries - Asia & the Middle East.
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
Shanghai (China)
موضوع مستند نشده
China, Shanghai.
موضوع مستند نشده
Schanghai
بدون عنوان
0
بدون عنوان
7
بدون عنوان
7
مقوله موضوعی
موضوع مستند نشده
ART-- 025000
موضوع مستند نشده
ART-- 060000
موضوع مستند نشده
HIS008000
رده بندی ديویی
شماره
700/
.
4251132
ويراست
22
رده بندی کنگره
شماره رده
DS796
.
S24
نشانه اثر
D47
2007eb
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )