عنوان

Harnessing the Technicolor rainbow :

شابک

0292794908

شابک

9780292794900

شابک اشتباه

0292716273

شابک اشتباه

0292716281

شابک اشتباه

9780292716278

شابک اشتباه

9780292716285

شماره

b747496

عنوان اصلي

Harnessing the Technicolor rainbow :

نام عام مواد

[Book]

ساير اطلاعات عنواني

color design in the 1930s /

نام نخستين پديدآور

Scott Higgins.

وضعيت ويراست

1st ed.

محل نشرو پخش و غیره

Austin :

نام ناشر، پخش کننده و غيره

University of Texas Press,

تاریخ نشرو بخش و غیره

2007.

نام خاص و کميت اثر

1 online resource (x, 292 pages, 8 unnumbered pages of plates) :

ساير جزييات

illustrations (some color)

متن يادداشت

Includes bibliographical references (pages 265-274) and index.

متن يادداشت

Like Dorothy waking up over the rainbow in the Land of Oz, Hollywood discovered a vivid new world of color in the 1930s. The introduction of three-color Technicolor technology in 1932 gave filmmakers a powerful tool with which to guide viewers' attention, punctuate turning points, and express emotional subtext. Although many producers and filmmakers initially resisted the use of color, Technicolor designers, led by the legendary Natalie Kalmus, developed an aesthetic that complemented the classical Hollywood filmmaking style while still offering innovative novelty. By the end of the 1930s, color in film was thoroughly harnessed to narrative, and it became elegantly expressive without threatening the coherence of the film's imaginary world. Harnessing the Technicolor Rainbow is the first scholarly history of Technicolor aesthetics and technology, as well as a thoroughgoing analysis of how color works in film. Scott Higgins draws on extensive primary research and close analysis of well-known movies, including Becky Sharp, A Star Is Born, Adventures of Robin Hood, and Gone with the Wind, to show how the Technicolor films of the 1930s forged enduring conventions for handling color in popular cinema. He argues that filmmakers and designers rapidly worked through a series of stylistic modes based on the demonstration, restraint, and integration of color--and shows how the color conventions developed in the 1930s have continued to influence filmmaking to the present day. Higgins also formulates a new vocabulary and a method of analysis for capturing the often-elusive functions and effects of color that, in turn, open new avenues for the study of film form and lay a foundation for new work on color in cinema.

منبع سفارش / آدرس اشتراک

JSTOR

منبع سفارش / آدرس اشتراک

OverDrive, Inc.

شماره انبار

22573/ctt8wcv9

شماره انبار

4BC23E71-71AE-45D6-840F-FF5F741AB019

عنوان

Harnessing the Technicolor rainbow.

موضوع مستند نشده

Color cinematography-- History.

موضوع مستند نشده

Color motion pictures-- History.

موضوع مستند نشده

ART-- Film & Video.

موضوع مستند نشده

Color cinematography.

موضوع مستند نشده

Color motion pictures.

موضوع مستند نشده

Farbfilm

موضوع مستند نشده

Farbfilm.

موضوع مستند نشده

Farbgestaltung.

موضوع مستند نشده

Färgfilm, historik.

موضوع مستند نشده

Filmästhetik.

موضوع مستند نشده

PERFORMING ARTS-- Film & Video-- History & Criticism.

موضوع مستند نشده

PHOTOGRAPHY-- Techniques-- Cinematography & Videography.

موضوع مستند نشده

ART-- 057000

موضوع مستند نشده

PER004030

موضوع مستند نشده

PHO-- 022000

شماره

ويراست

شماره رده

نشانه اثر

مستند نام اشخاص تاييد نشده

Higgins, Scott,1968-

تاريخ عمليات

20201204073310.0

قواعد فهرست نويسي ( بخش توصيفي )

pn

نام الکترونيکي

نوع ماده

[Book]

تكميل شده

Y