race, language, and twentieth-century literature /
نام نخستين پديدآور
Michael North.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
New York :
نام ناشر، پخش کننده و غيره
Oxford University Press,
تاریخ نشرو بخش و غیره
1994.
مشخصات ظاهری
نام خاص و کميت اثر
1 online resource (252 pages) :
ساير جزييات
illustrations.
فروست
عنوان فروست
Race and American culture
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 197-244) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
Against the standard : linguistic imitation, racial masquerade, and the modernist rebellion -- The nigger of the "Narcissus" as a preface to modernism -- Modernism's African mask : the Stein-Picasso collaboration -- Old Possum and Brer Rabbit : Pound and Eliot's racial masquerade -- Quashie to Buccra : the linguistic expatriation of Claude McKay -- Race, the American language, and the Americanist avant-garde -- Two strangers in the American language : William Carlos Williams and Jean Toomer -- "Characteristics of Negro expression" : Zora Neale Hurston and the Negro anthology.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
At the same time, however, another movement identified with Harlem was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself, and its appropriation served to reinforce the subordinate status of the dialect. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other.
متن يادداشت
The Dialect of Modernism is the second volume in Oxford's new Race and American Culture series.
متن يادداشت
The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language and literature written in it, modernists such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language.
یادداشتهای مربوط به نیازمندی های سیستم (منابع الکترونیک)و جزئیات فنی
متن يادداشت
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
MIL
شماره انبار
52703
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Dialect of modernism.
نام شخص به منزله موضوع
موضوع مستند نشده
Conrad, Joseph,1857-1924., Nigger of the Narcissus.
موضوع مستند نشده
Conrad, Joseph,1857-1924., Nigger of the Narcissus.
موضوع مستند نشده
Conrad, Joseph,1857-1924., Nigger of the 'Narcissus'.
موضوع مستند نشده
Englisch, ...
نام تنالگان به منزله موضوع
موضوع مستند نشده
Umschulungswerkstätten für Siedler und Auswanderer, Bitterfeld