the Nineteenth-century popular music revolution in London, New York, Paris, and Vienna /
نام نخستين پديدآور
Derek B. Scott.
وضعیت نشر و پخش و غیره
محل نشرو پخش و غیره
New York :
نام ناشر، پخش کننده و غيره
Oxford University Press,
تاریخ نشرو بخش و غیره
2008.
مشخصات ظاهری
نام خاص و کميت اثر
viii, 304 pages :
ساير جزييات
illustrations ;
ابعاد
24 cm
یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references (pages 269-287) and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
The social context of the popular music revolution --- Professionalism and commercialism --- New markets for cultural goods --- Music, morals, and social order --- The rift between art and entertainment --- Studies of revolutionary popular genres --- A revolution on the dance floor, a revolution in musical style: The Viennese waltz --- Blackface minstrels, black minstrels, and their European reception --- The music hall cockney: flesh and blood, or replicant? --- No smoke without water: the incoherent message of Montmartre Cabaret.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. London, New York, Paris, and Vienna feature prominently as cities in which the challenge to the classical tradition was strongest, and in which original and influential forms of popular music arose, from Viennese waltz and polka to vaudeville and cabaret. Scott explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis will appeal to students of music, cultural sociology, and history.
یادداشتهای مربوط به سفارشات
منبع سفارش / آدرس اشتراک
Oxford Univ Pr, 2001 Evans rd, Cary, NC, USA, 27513
ویراست دیگر از اثر در قالب دیگر رسانه
عنوان
Sounds of the metropolis
عنوان اصلی به زبان دیگر
عنوان اصلي به زبان ديگر
19th century popular music revolution in London, New York, Paris, and Vienna
عنوان اصلي به زبان ديگر
Nineteenth-century popular music revolution in London, New York, Paris, and Vienna
موضوع (اسم عام یاعبارت اسمی عام)
موضوع مستند نشده
Popular music-- Europe-- To 1901-- History and criticism.
موضوع مستند نشده
Popular music-- New York (State)-- New York-- To 1901-- History and criticism.
موضوع مستند نشده
Popular music.
موضوع مستند نشده
Populärmusik-- Europa-- 1800-talet.
موضوع مستند نشده
Populärmusik-- Förenta staterna-- New York (stat)-- 1800-talet.
موضوع مستند نشده
Unterhaltungsmusik
نام جغرافیایی به منزله موضوع
موضوع مستند نشده
Europa
موضوع مستند نشده
Europa.
موضوع مستند نشده
Europe.
موضوع مستند نشده
New York (N.Y.)
موضوع مستند نشده
New York (State), New York.
موضوع مستند نشده
New York, NY
بدون عنوان
7
بدون عنوان
7
بدون عنوان
7
بدون عنوان
7
بدون عنوان
7
بدون عنوان
7
رده بندی ديویی
شماره
781
.
6409/034
ويراست
22
رده بندی کنگره
شماره رده
ML3470
نشانه اثر
.
S38
2008
سایر رده بندی ها
شماره رده
9
,
2
شماره رده
J609
.
1
شماره رده
LP
19505
کد سيستم
ssgn
کد سيستم
clc
کد سيستم
rvk
نام شخص به منزله سر شناسه - (مسئولیت معنوی درجه اول )