یادداشتهای مربوط به کتابنامه ، واژه نامه و نمایه های داخل اثر
متن يادداشت
Includes bibliographical references and index.
یادداشتهای مربوط به مندرجات
متن يادداشت
The Centrality of the eye in western culture: an introduction / Chris Jenks -- Advertising: the rhetorical imperative / Malcolm Barnard -- Reporting and visualising / Andrew Barry -- Fractured subjectivity / Roy Boyne -- The City, the cinema: modern spaces / James Donald -- Fabulous confusion! Pop before pop? / Dick Hebdige -- An Art of scholars: corruption, negation and particularity in paintings by Ryman and Richter / Ian Heywood -- Watching your step: the history and practice of the flâneur / Chris Jenks -- Reich dreams: ritual horror and armoured bodies / Justin J. Lorentzen --Television: not so much a visual medium, more a visual object / David Morley -- Foucault's optics: the (in) vision of mortality and modernity / John O'Neill -- Managing 'tradition': the plight of aesthetic practices and their analysis in a technoscientific culture / Michael Phillipson -- Photography and modern vision: the spectacle of 'natural magic' / Don Slater -- Three images of the visual: empirical, formal and normative / John A. Smith.
بدون عنوان
0
یادداشتهای مربوط به خلاصه یا چکیده
متن يادداشت
The necessity, centrality and universality of vision has been a major preoccupation of modernity; and the fracture and refraction of vision are central to an understanding of the postmodern. Consequently, the role of visual depiction, the practices of visual production and reproduction, and the socialisation, history and conventions of visual perception are emergent themes for sociology, cultural studies and critical theory in the visual arts. The contributors all stem from these three traditions and all represent the vanguard of new research in their areas. Though their perspectives vary, they share a central problematic, the 'visual' character of contemporary culture. Their approach is through a wide spectrum of representational formations, ranging through advertising, film, painting and fine art, journalism, photography, television and propaganda.
متن يادداشت
Visual Culture is a collection of original and critical essays addressing 'vision' as a social and cultural process. The book exposes the organised but implicit structuring of a highly significant yet utterly routine dimension of social relations, the 'seen'. What we see, and the manner in which we come to see it, is not simply part of a natural ability. It is rather intimately linked with the ways that our society has, over time, arranged its forms of knowledge, its strategies of power and its systems of desire. We can no longer be assured that what we see is what we should believe in. There is only a social not a formal relation between vision and truth.